A Palestinian horror film inspired by folklore is moving forward, with journalist and author Plestia Alaqad joining the cast alongside American-born Kuwaiti-Palestinian journalist and media personality Ahmed Shihab-Eldin, according to The Hollywood Reporter.

Titled The Visitor, the feature is written and directed by Palestinian-American filmmaker Rolla Selbak and produced by Black Poppy Productions.

The story follows a young Palestinian man in Jerusalem who must protect his family after a “Ghouleh” — a female demon from local folktales — emerges in his town.

Production is scheduled for a 25-day shoot in Jordan in 2026, with US-based Watermelon Pictures joining as executive producer and financier. The company, which supported From Ground Zero, Palestine’s first Oscars submission, will collaborate with Jordan’s Imaginarium on the production.

Watermelon Pictures’ head of production, Munir Atalla, told The Hollywood Reporter that Selbak’s vision “marks a bold new foray into genre films for Palestinian cinema“.

Alaqad, a Palestinian author, journalist, and poet, gained international attention for her daily social media coverage of Israel’s genocide in Gaza.

Her memoir, The Eyes of Gaza: A Diary of Resilience, was published earlier this year by Pan Macmillan and was released in the United States in September.

Human rights, Arab identity
Shihab-Eldin, an Emmy-nominated journalist and actor of Palestinian descent, is best known for his work on Al Jazeera’s The Stream and various independent media projects focusing on human rights and Arab identity.

Selbak told The Hollywood Reporter that The Visitor “is about erasure, and the deep human need to be seen”, adding that “living under occupation can be scarier than the monsters in our folktales”.

Atalla told The New Arab in June that Watermelon Pictures was founded in response to censorship and the lack of representation facing Palestinian storytellers in global cinema.

“The [Gaza] genocide put into stark relief the extent to which the existing systems we have will never serve us,” he said. “We have to build our own cultural power and financial power to compete and fight in this ideological battle that we’re in.”

He added that the company’s new streaming platform, Watermelon+, was designed as “a living archive of Palestinian cinema”, protecting films from being erased or deplatformed.

Alaqad also told The New Arab earlier this year that her work had sought to preserve Palestinian life and memory beyond the violence.

“The media only shows Gaza when it’s being bombed,” she said. “We’re seeing how Palestinians are getting killed, but we don’t see how Palestinians lived.

“That’s where the dehumanisation comes in.”

Republished from The New Arab.

Article by AsiaPacificReport.nz

On October 10, a ceasefire in Gaza was officially announced. International news media were quick to focus on what they now call “the peace plan”.

US President Donald Trump, they announced, would go to Cairo to oversee the agreement signing and then to Israel to speak at the Knesset.

The air strikes over Gaza, they reported, have stopped.

The bombs have indeed stopped, but our suffering continues. Our reality has not changed. We are still under siege.

Israel still has full control over our air, land and sea; it is still blocking sick and injured Palestinians from leaving and journalists, war crimes investigators and activists from going in.

It is still controlling what food, what medicine, and essential supplies enter.

The siege has lasted more than 18 years, shaping every moment of our lives. I have lived under this blockade since I was just three years old. What kind of peace is this, if it will continue to deny us the freedoms that everyone else has?

‘Deal’ overshadowed flotilla kidnap
The news of the ceasefire deal and “the peace plan” overshadowed another, much more important development.

Israel raided another freedom flotilla in international waters loaded with humanitarian aid for Gaza, kidnapping 145 people on board — a crime under international law. This came just days after Israel attacked the Global Sumud Flotilla, detaining more than 450 people who were trying to reach Gaza.

These flotillas carried more than just humanitarian aid. They carried the hope of freedom for the Palestinian people. They carried a vision of true peace — one where Palestinians are no longer besieged, occupied and dispossessed.

Many have criticised the freedom flotillas, arguing that they cannot make a difference since they are doomed to be intercepted.

I myself did not pay much attention to the movement. I was deeply disappointed, having lost hope in seeing an end to this war.

But that changed when Brazilian journalist Giovanna Vial interviewed me. Giovanna wrote an article about my story before setting sail with the Sumud Flotilla. She then made a post on social media saying: “for Sara, we sail”. Her words and her courage stirred something in me.

Afterwards, I kept my eyes on the flotilla news, following every update with hope. I told my relatives about it, shared it with my friends, and reminded anyone who would listen how extraordinary this movement was.

‘Treated like animals’ – NZer activists detained by Israeli forces arrive home

‘She became the light’
I kept wondering — how is it possible that, in a world so heavy with injustice, there are still people willing to abandon everything and put their lives in danger for people they had never met, for a place, most of them had never visited.

I stayed in touch with Giovanna.

“Until my last breath, I will never leave you alone,” she wrote to me while sailing towards Gaza. In the midst of so much darkness, she became the light.

This was the first time in two years I felt like we were heard. We were seen.

The Sumud Flotilla was by far the biggest in the movement’s history, but it was not about how many boats there were or how many people were on board or how much humanitarian aid they carried. It was about putting a spotlight on Gaza — about making sure the world could no longer look away.

“All Eyes on Gaza,” read one post on the official Instagram account of the flotilla. It stayed with me, I read it on a very heavy night when the deafening sound of bombs in Gaza City was relentless. It was just before I had to flee my home due to the brutal Israeli onslaught.

Israel stopped flotillas, aid
Israel stopped the flotillas. They abused and deported the participants. They seized the aid. They may have prevented them from reaching our shores, but they failed to erase the message they carried.

A message of peace. A message of freedom. A message we had been waiting to hear for two long, brutal years. The boats were captured, but the solidarity reached us.

I carry so much gratitude in my heart for every single human being who took part in the freedom flotillas. I wish I could reach each of them personally — to tell them how much their courage, their presence, and their solidarity meant to me, and to all of us in Gaza.

We will never forget them. We will carry their names, their faces, their voices in our hearts forever.

To those who sailed toward us: thank you. You reminded us that we are not alone.

And to the world: we are clinging to hope. We are still waiting — still needing — more flotillas to come. Come to us. Help us break free from this prison.

The bombing has stopped now, and I can only hope that this time it does not resume in a few weeks. But we still do not have peace.

Governments have failed us. But the people have not.

One day, I know, the freedom flotilla boats will reach the shore of Gaza and we will be free.

Sara Awad is an English literature student, writer, and storyteller based in Gaza. Passionate about capturing human experiences and social issues, Sara uses her words to shed light on stories often unheard. Her work explores themes of resilience, identity, and hope amid war. This article was first published by Al Jazeera.

Article by AsiaPacificReport.nz

COMMENTARY: By Caitlin Johnstone

Within the storytelling of Western politics and punditry there exists a fictional type of mental illness which only affects people the US empire doesn’t like.

If Iran gets a nuclear weapon, its crazy lunatic government will flip out and nuke us all.

Watch out for Hamas, Hezbollah and the Houthis, those guys are a bunch of maniacal antisemites who want to attack Israelis just because they’re Jewish.

“The stories of the Western empire ask us to believe that everyone who finds themselves in the imperial crosshairs is an irrational actor whose loony behavior can only be attributed to some uncontrollable defect within their own minds, or who will soon snap and do something nutty if they are not contained by force.”

Oh no, Putin is invading Ukraine completely unprovoked because he’s a madman who hates freedom and won’t stop until he’s conquered all of Europe.

China is building up its military because the megalomaniacal Xi Jinping wants to take over the world; all those US military bases surrounding China are just a defensive measure to contain Beijing’s insanity.

Assad just went nuts one day and started slaughtering his own people out of nowhere.

Gaddafi is a sexual sadist who’s giving Viagra to his troops to help them commit mass rapes in Libya.

The fictional mental illness that only affects enemies of the Western empire    Video: Caitlin Johnstone

So crazy
Saddam Hussein is so crazy and evil he’s trying to obtain weapons of mass destruction to give Americans another 9/11.

The North Koreans used to be far too insane to be allowed to have nuclear weapons because they’d nuke San Francisco immediately, but after they obtained nuclear weapons they were miraculously cured of this rare psychological disorder.

The stories of the Western empire ask us to believe that everyone who finds themselves in the imperial crosshairs is an irrational actor whose loony behavior can only be attributed to some uncontrollable defect within their own minds, or who will soon snap and do something nutty if they are not contained by force.

One antagonist who never appears in these fairy tales of the Western empire is the Western empire itself. In the storytelling of the empire, there is no globe-spanning power structure which is constantly inflicting violence and destruction upon populations around the world while seeking to crush any nation who disobeys its dictates.

It’s just a bunch of irrational psychos, seeking nuclear weapons and becoming aggressively militaristic for no other reason than because they are crazy, while the totally normal alliance led by a totally normal country in North America innocently responds to their crazy behavior.

That’s the story. In real life, the most aggressive and unreasonable actor on the world stage by far is the empire-like power structure that is loosely centralised around Washington DC. Nobody else is constantly waging wars of aggression around the world. Nobody else is circling the planet with hundreds of military bases for the purpose of global domination. Nobody else has spent the 21st century killing millions of people and deliberately targeting civilians with starvation sanctions in countries on the other side of the planet.

Only the US-centralised empire has been doing these things.

Vicious imperial power
But we are asked to believe that this vicious imperial power structure is the only rational actor on earth, and that those who resist its aggressions are the crazy ones.

And you are told that if you can’t see this, then you’re crazy too. You’re a crackpot. A conspiracy theorist. A paranoid nutball whose voice should be marginalised and whose ideas should be dismissed with a scoff.

You are crazy if you don’t believe what the world’s craziest power structure says about its enemies being crazy.

It is gaslighting on a global scale. It is madness, and that is why this civilisation has gone mad.

Let’s hope someone finds a way to protect the world from the insanity of the Western empire.

Caitlin Johnstone is an Australian independent journalist and poet. Her articles include The UN Torture Report On Assange Is An Indictment Of Our Entire Society. She publishes a website and Caitlin’s Newsletter. This article is republished with permission.

This article was first published on Café Pacific.

For nearly half a century, Papua New Guinea has been more than just a home for Laurence “Rocky” Roe — it has been his canvas, his inspiration, and his great love.

A master behind the lens, Rocky has captured the soul of the nation through his photography, preserving moments of history, culture, and progress.

He bid farewell to the country he has called home since 1976 in June 2021 and is now retired and living in Australia. We reflect on the extraordinary journey of a man whose work has become an indelible part of PNG’s visual history.

A journey born of adventure
Rocky Roe’s story began in Adelaide, Australia, where he was born in 1947. His adventure in Papua New Guinea started in 1976 when he arrived as a mechanical fitter for Bougainville Copper. But his heart sought more than the structured life of a mining camp.

In 1979, he took a leap of faith, moving to Port Moresby and trading a higher salary for a passion — photography. What he lost in pay, he gained in purpose.

“I wanted to see Papua New Guinea,” Rocky recalls. “And I got an opportunity to get paid to see it.”

Capturing the essence of a nation
From corporate photography to historic events, Rocky’s lens has documented the evolution of Papua New Guinea. He was there when leaders rose to prominence, capturing moments that would later adorn national currency — his photograph of Grand Chief Sir Michael Somare graces the K50 note.

His work went beyond the formal; he ventured deep into the Highlands, the islands, and bustling townships, preserving the heart and spirit of the people.

With each shot, he chronicled the changing landscape of Port Moresby. From a city of well-kept roads and modest housing in the 1970s to its present-day urban sprawl, Rocky witnessed and documented it all.

The evolution of photography
Rocky’s career spanned a transformative era in photography — from the meticulous world of slide film, where exposure errors were unforgiving, to the digital revolution, where technology made photography more accessible.

“Autofocus hadn’t been invented,” he recalls. “Half the world couldn’t focus a camera back then.” Yet, through skill and patience, he mastered the art, adapting as the industry evolved.

His assignments took him to mine sites, oil fields, and remote locations where only helicopters could reach.

“I spent many hours flying with the door off, capturing PNG from above. Looking through the camera made it all feel natural. Without it, I might have been scared.”

The man behind the camera
Despite the grandeur of his work, Rocky remains humble. A storyteller at heart, his greatest joy has been the connections he forged—whether photographing Miss PNG contestants over the years or engaging with young photographers eager to learn.

He speaks fondly of his colleagues, the friendships he built, and the country that embraced him as one of its own.

His time in Papua New Guinea was not without challenges. He encountered moments of danger, faced armed hold-ups, and saw the country grapple with law and order issues. Yet, his love for PNG never wavered.

“It’s the greatest place on earth,” he says, reflecting on his journey.

A fond farewell, but not goodbye
Now, as Rocky returns to Australia to tend to his health, he leaves behind a legacy that will live on in the countless images he captured. Papua New Guinea will always be home to him, and its people, his extended family.

“I may come back if someone brings me back,” he says with a knowing smile.

Papua New Guinea bids farewell to a legend, a visual historian who gave us the gift of memories frozen in time. His photographs are not just images; they are stories, emotions, and a testament to a life well-lived in the pursuit of beauty and truth.

Farewell, Rocky Roe. Your work will continue to inspire generations to come.

Independent Papua New Guinea journalist Malum Nalu first published this article on his blog Happenings in Papua New Guinea as part of a series leading up to PNG’s 50th anniversary this year. Republished with permission.

Article by AsiaPacificReport.nz

Veteran journalist and editor Stanley Simpson has spoken about the enduring power of storytelling and its role in shaping Fiji’s identity.

Reflecting on his journey at the launch of FijiNikua, a magazine launched by Prime Minister Sitiveni Rabuka on Christmas Eve, Simpson shared personal anecdotes of growing up in Savusavu, a place he described as a hub of vibrant storytelling.

“I grew up listening to stories that were humorous, serious, tragic, and enlightening,” he said.

“These stories instilled values, kept the community together, and reminded us of our principles and identity.”

The launch of FijiNikua is the culmination of years of dedication to the craft of journalism and magazine production.

“This is the fifth magazine I’ve had the privilege of editing. I love the way magazines provide the space to tell stories, no matter how long they may be.”

His career in publishing began in 2006 when he left a secure position at UNDP to pursue a dream.

Storytelling dream ‘persisted’
Teaming up with journalist Imraz Iqbal, they launched Fiji Living magazine, driven by a passion for telling stories that mattered. However, their vision faced challenges during the political unrest later that year, resulting in attacks on their office and colleagues.

“Despite the pain and chaos, the dream of storytelling persisted.”

That resilience led him to helm Mai Life Magazine, producing award-winning journalism that uncovered corruption, celebrated community triumphs and addressed pressing social issues.

In his speech, he expressed gratitude to Prime Minister Sitiveni Rabuka and the coalition government for their role in repealing the MIDA Act, paving the way for greater media freedom.

“For 16 years, our media landscape was constrained. We cannot let this moment pass without leaving a strong legacy of free spirit and free speech for future generations.”

As general secretary of the Fiji Media Association, Simpson announced initiatives to establish a journalism institute and Press Club and revealed that Savusavu will host the Pacific Media Summit in 2026, inviting regional media to converge and celebrate the power of storytelling.

“FijiNikua is more than just a magazine; it’s a platform for meaningful stories.

“In an era dominated by social media and short-form content, this magazine offers a space for complete, in-depth narratives that inspire and connect us.”

The launch event closed with a call to action, inviting all Fijians to embrace and support FijiNikua as a platform for stories that define and reflect the heart of the nation.

Republished from The Fiji Times with permission.

Article by AsiaPacificReport.nz

Freedom of the press is a cornerstone of any vibrant democracy and society’s collective responsibility to safeguard and protect it, says Papua New Guinea’s Minister for Information and Communication Technology Timothy Masiu.

Masiu was chief guest at the 2023 University of the South Pacific Journalism Student Awards function held in Suva on Friday evening.

“The USP Journalism Awards not only recognises excellence in reporting, but also the commitment to ethical journalism, unbiased storytelling, and the pursuit of truth,” said Masiu.

“In an era where information flows abundantly, the responsibility of journalists to uphold these principles has never been more critical.”

While recognising the hard work and dedication put in by the student journalists in their stories, Masiu took the time to acknowledge the challenges that journalists face in the pursuit of truth.

“Today, we recognise the hard work, dedication, and exemplary storytelling that have emerged from the vibrant and diverse community of journalists who have made their mark within USP.”

This year 16 students from the USP journalism programme were recognised for their outstanding achievements in journalism.

Sponsorship media
The awards this year were sponsored by the Fiji Broadcasting Corporation (FBC), The Fiji Times, Islands Business, FijiLive and Sports World.

“The journalists we celebrate today have embraced this responsibility with vigour, showcasing the power of words and the impact they can have on shaping our world,” said Masiu.

Being a former journalist himself, Masiu said the role of journalism as the Fourth Estate could not be understated — “the role of journalism is pivotal in our society, serving as the watchdog, the voice of the voiceless, and the bridge that connects communities”.

Masiu thanked the journalism school faculty heads and mentors who have guided these aspiring journalists for their dedication in nurturing the next generation of storytellers.

“Your influence goes beyond the classroom; it shapes the future of journalism in the Pacific and beyond,” he said.

The event included presentation of a $10,000 cheque by the PNG government to the USP journalism programme as part of the Memorandum of Understanding (MoU) signed between the USP School of Journalism and the PNG National Broadcasting Corporation (NBC) on June 19, 2023.

The minister described the collaboration as a testament to recognition that the exchange of knowledge, resources, and expertise was essential in nurturing the next generation of journalists who would shape the narrative of the Pacific region.

Shared training vision
Signifying more than just a formal agreement, he said the MoU represented a shared vision for the future of journalism training and mentoring in the Pacific.

“Through this collaboration, students will have the opportunity to engage with seasoned professionals, gaining insights into the ever-evolving landscape of journalism,” he said.

“I request that the USP School of Journalism or wider USP will have appropriate programmes to upskill or re-train our deserving NBC staff who are non-journalists.”

Journalism head Associate Professor Dr Shailendra Singh acknowledged the support from the PNG government for the USP Journalism Program.

Speaking about the USP Journalism Awards, Dr Singh said these were the longest running and most consistent journalism awards in the Pacific in any category.

He paid tribute to the founder of the awards in 1999, former USP journalism head Professor David Robie, adding that he wished that journalism awards would be revived in Fiji and the region.

“Journalists carry out a crucial function — sometimes it’s a thankless task. Our best journalists should be recognised and helped in their work,” said Dr Singh.

Winners of the 2023 USP Journalism Awards:

• Most Promising First-Year student: Riya Bhagwan
• Best News Reporting: Aralai Vosayaco and Nikhil Kumar
• Best Radio Student: Josepheen Tarianga
• Best Television Students: Nishat Kanti and Maretta Putri
• Best Sports Reporting: Sera Navuga
• Best Feature Reporting: Prerna Priyanka and Viliame Tawanakoro
• Best Regional Reporting: Lorima Dalituicama
• Best Online Reporting: Brittany Nawaqatabu
• Most Outstanding Journalism Student of the Year: Yukta Chand and Viliame Tawanakoro

Awards sponsored by the Journalism Students Association:

• Wansolwara Outstanding Reporting Award: Ema Ganivatu
• Best Inclusive Award, Best Editorial Team, and Best Professional Award: Nikhil Kumar
• Team player Award: Ivy Mallam
• Students Choice Award: Andrew Naidu
• Outstanding Social Service to USP Community: Rhea Kumar

Monika Singh is a reporter for Wansolwara, the online and print publication of the USP Journalism Programme. Republished in partnership with Wansolwara.

Article by AsiaPacificReport.nz

In a significant step toward preserving and commemorating Fiji’s rich history, efforts are underway to establish the country’s first living museum.

This unique institution will focus on capturing the era of the British colonial government’s indentured system in Fiji, shedding light on the arrival of Fijians of Indian descent to the Pacific Ocean.

The initiative aims to honour the contributions and struggles of the indentured labourers, known as Girmitiyas, who played a pivotal role in shaping Fiji’s economy.

Behind the vision is the Global Girmit Institute, whose board of trustees chair Dr Ganesh Chand told RNZ Pacific the museum had great significance for Fiji.

Dr Chand said that many Fijians were unaware of their country’s history and the way of life under British rule in Fiji, noting that Fiji-Indians were even unaware of their origins — the Girmitiyas.

Fijian-Indians make up about 37 percent of the country’s population.

“For Girmitiyas, there has been a total silence of material in our curriculum all the way up to now,” Dr Chand lamented.

“There is nothing in the texts, and students don’t learn their history.”

He said that if schools fail to teach local history, it could be detrimental to that nation as a whole.

“If they don’t learn in these in schools, then they grow up thinking that their house and day-to-day life is their entirety in the country.

“But that is not a very good state for nation-building. For nation-building, people need to know the history,” Dr Chand said.

The museum aims to rectify this by providing a “comprehensive and immersive experience” that educates visitors about the Girmit era.

The Global Girmit Institute living museum will be co-located within the GGI Library at its headquarters in Saweni, Lautoka, on the country’s main island.

Work has already begun, with the collection of artefacts intensifying in preparation for the anticipated opening of phase one next year.

Travellers who crossed two oceans
The gallery will feature a range of artefacts and recordings of the oral history of people from different linguistic backgrounds and cultures.

Objects relating to farming and the sugar industry, lifestyle, music, food, clothing and religious events will also be displayed, along with objects that record the impact of colonialism on the islands.

Dr Chand said visitors will have the opportunity to witness and understand first hand the living conditions and lifestyle of the Girmitiyas.

“The living museum will feature a fully furnished residence from the era, and our workers will live there and depict how life was in those days under British rule,” he said.

So, how did a group of South Asian people — the Girmitiyas — arrive in the Pacific Ocean?

It was the abolition of slave labour in the early 19th century that gave rise to the Indian indenture system.

This saw an influx of labourers transported from India to various European colonies, including Fiji, to work in plantations.

The system was established to address the labour shortage that followed, explained academic and linguist Dr Farzana Gounder, a direct Girmitiya descendant and a representative of Fiji on the UNESCO International Indentured Labour Route Project.

“The term ‘Girmit’ is derived from the word ‘agreement’ and was used to refer to the system of indentured labour that brought Indians to Fiji between 1879 and 1916,” she said.

“Under this system, Indian labourers were recruited from British India to work on sugar plantations in Fiji, which was then a British colony. During this period, more than 60,000 Indians were brought to Fiji under indenture and became known as Girmitiyas.”

The indenture was seen as an agreement between the workers and the British government, and over the next three decades Girmitiyas were shipped across two oceans to work the lands in Fiji, where a jarring reality awaited them, explained Dr Gounder.

“The Girmitiyas faced many challenges when they arrived in Fiji, including harsh working conditions, cultural and linguistic barriers, and discrimination from both European and indigenous Fijian populations.

“They worked long hours in difficult and often dangerous conditions on the sugar plantations and were paid very low wages.”

The Girmitiyas were instrumental in the development of Fiji’s sugar industry, and this museum aims to tell these stories.

Fiji’s Peace Village to host historical stories
The government of Fiji is also commissioning a living museum in the central province of Navilaca village in Rewa.

Assistant Women’s Minister Sashi Kiran announced that this gallery would pay homage to the relationship between the Girmitiyas and iTaukei people.

“Navilaca village is significant to the history of both the indigenous people and the Indo-Fijians,” she said.

Kiran recounts the heroic efforts of the indigenous people in 1884 who, in the absence of immediate assistance from the colonial authorities, led the rescue operations, saving many lives when a ship named Syria, carrying around 500 Girmitiyas, became wrecked on the Nasilai Reef.

This village thus served as an apt location for the museum, paying homage to the resilience and humanity displayed during that challenging time, she said.

“The village of Navilaca had done the rescue when the Syria was wrecked, and villages there had not only rescued the people but buried the dead in their chiefly ground. They had also looked after all the injured until they healed.

“The fisherfolk had been rescuing people, and the archives also say that there were only about 100 out of almost 500 passengers left by the time the colonials came, so most of the rescue was actually done by the indigenous people.”

The village has since been declared a place of peace with an offer extended to host teaching of each other’s rituals, ceremonies, and customs.

“It will be a space where both cultures can be taught through artefacts and storytelling,” she added.

It will also be open to tourists and the diaspora.

Both living museums promise to be vital cultural institutions, providing a platform to remember and honour Fiji’s history.

This article is republished under a community partnership agreement with RNZ.

Article by AsiaPacificReport.nz

SPECIAL REPORT: By ABC Backstory editor Natasha Johnson

When Tahlea Aualiitia talks about hosting the ABC’s new Pacific-focused news and current affairs TV programme, The Pacific, her voice breaks and she becomes emotional.

Personally, it’s a career milestone, anchoring her first TV show after a decade working mostly in radio, producing ABC local radio programmes and presenting Pacific Mornings on ABC Radio Australia. But it’s also much more than that.

Aualiitia grew up in Tasmania and is of Samoan (and Italian) heritage. She has strong connections to the country and the Pacific Islander community in Australia.

What moves her so profoundly about The Pacific is that the 30-minute, weekly programme is being broadcast across the Pacific on ABC Australia, the ABC’s international TV channel, as well as in Australia (on the ABC News Channel and iview), and is produced by a team with a deep understanding of the region and features stories filed by local journalists based in Pacific nations.

“For me, it’s representation and I think that is really important,” she says.

“I’m probably going to cry because for so long I feel that in Australia and on mainstream TV, Pacific Islanders have been, at best, under-represented and, at worst, misrepresented.

“Given the geopolitical interest, there is more focus on the Pacific but my hope for this show is that it will highlight Pacific voices, really centre those voices as the people telling their stories and change the narrative.

‘The ABC cares’
“It shows the ABC cares, we are not just saying we decide what you watch, we’re involving you in what we’re doing, and I think that that makes a difference.”

Aualiitia’s father was born in Samoa and moved to New Zealand at the age of 12, then later to Australia. Her mother’s brother married a Samoan woman, so Samoan culture was celebrated in her immediate and extended family.

She recalls a childhood shaped by Samoan food, dance and song, and the importance of family, faith and rugby. But from her experience, “the narrative” about the Pacific in Australia has tended towards being negative or patronising.

“I think people tend to see the Pacific as a monolith and there are a lot of stereotypes about what a Pacific Islander is, especially in view of the climate change crisis — there’s this idea everyone’s a victim and they should all just move to Australia,” she says.

“There’s a lot of stuff you carry as a brown journalist. When I hear a story on the news about a Pacific Islander and a crime, I brace myself and think about what that might mean for my day, is it going to make my day at harder when I walk out onto the street, will it make my day at work harder?

“I’ve had people say to me when they learn I have an arts degree, ‘oh, your parents must be so proud of you because you’re the first person in your family who has gone to uni’. And that’s not true, my dad has a PhD in chemistry.

“It’s indicative of ideas that people have of what you’re capable of, what you can do, and that’s the power of the media to shape those narratives and change those narratives.

Facebook ‘reality’ check
“When I started presenting Pacific Mornings, I would interview people from across the Pacific and people would find me on Facebook, message me, saying, ‘I didn’t know any Pacific Islanders were working at the ABC’.

“I was just doing my job, but they said they were proud of me, of the visibility and that it was a good thing that it was happening. So, I hope this programme re-frames things a little bit by showing the rich diversity of the Pacific, its different cultures, resilience, and the joy of being Pacific.”

The Pacific is being produced by the ABC’s Asia Pacific Newsroom (APN), based in Melbourne, with funding from ABC International Broadcast and Digital Services.

While the scope of the ABC’s international services has fluctuated over the years, depending on federal government funding levels, an injection of $32 million over four years to ABC International Services allocated in the 2022 budget has enabled this first-of-its-kind programme to be made, among a suite of other initiatives under the Indo-Pacific Broadcast strategy.

“The APN has been a trusted content partner for the ABC’s International Services team for many years and already has deep Pacific expertise,” says Claire Gorman, head of international services.

“We have been working with the APN to produce our flagship programmes Pacific Beat and Wantok for ABC Radio Australia and have been wanting to produce a TV news programme for Pacific audiences for some time, but until now have not have the funding for it.

“The Pacific is the first of many exciting developments in the pipeline. We believe it is more important than ever before for Australians and Pacific audiences to have access to independent, trusted information about our region.”

Pacific-wide team
Joining Aualiitia on air is long-serving Pacific Beat reporter and executive producer Evan Wasuka and journalist Johnson Raela, who previously worked in New Zealand and the Cook Islands.

Correspondent Lice Movono, based in Suva, Fiji, and Chrisnrita Aumanu-Leong in Honiara, Solomon Islands, are contributing to the programme as part of a developing “Local Journalism Network”, also funded under the Indo-Pacific Broadcast strategy, to use the expertise of independent journalists located in the region.

Behind the scenes are APN supervising producer Sean Mantesso, producers Gabriella Marchant, Dinah Lewis Boucher, Nick Sas and APN managing editor Matt O’Sullivan.

“The ABC has covered the Pacific for decades but largely for the Pacific audience,” says O’Sullivan.

“In recent years, that’s mostly been via Pacific Beat and increasingly through digital and video storytelling. We’ve felt for some time that there’s growing interest in the Pacific within Australia and there’s also a massive Pacific diaspora in Australia with strong links to the region.

“So, we’ve felt a need to share our content more broadly. The Pacific programme will cover the breadth of Pacific life beyond palm trees and tourism, from politics to jobs and the economy, climate change, culture and sport.”

Lice Movono has been working as a journalist in Fiji for 16 years and has previously filed for the ABC. She believes elevating the work of regional journalists across the ABC programs and platforms, through the Local Journalism initiative, will help provide more informed coverage of Pacific affairs.

“I believe it’s critical for journalists from within the Pacific to be at the centre of storytelling about the Pacific,” she says.

“A few years ago, while working in a local media organisation, I had the opportunity to attend a conference in Europe and it shocked and saddened me to find that there are people on the other side of the world who have little or no understanding of what it means to live with the reality of climate change here in the region.

“So, it means everything for me to work with the ABC, which has one of the widest, if not the widest reach in the Pacific region and to have access to a platform that tells stories about the Pacific and Fiji, in particular, to the rest of the world, to tell authentic stories through the lens of a Pacific Islander, and an Indigenous one at that, about the realities of what Pacific people face.”

While the covid pandemic and various lockdowns curbed a lot of international news gathering, it provided an opportunity to showcase the work of locally based reporters on ABC domestic channels.

“We’ve often used stringers in the region, but covid showed us the value journalists in country can offer,” says O’Sullivan.

“Because we couldn’t fly Australian-based crews into the region during the pandemic, we relied more on journalists in the Pacific telling their stories, for example during the 2021 riots in Solomon Islands.

“We are now building on that foundation of local expertise and knowledge by establishing the Local Journalism Network of independent journalists to report for the ABC.

“We’ve had producers doing training with them, teaching them how to shoot good TV pictures and we’ve provided mobile journalism kits that enable them to quickly do a TV cross.

“In filing for the ABC, they can tell stories local media often can’t but the challenge for us is protecting them.”

Support and protection from the ABC has been welcomed by Movono. Renowned for her tough questioning, she has endured personal threats and harassment over the course of her career, but the country is now moving into a new era of openness with the newly-elected Rabuka government repealing the controversial Media Industry Development Act that was introduced under military law in 2010 and has been regarded as a restraint on media freedom.

In an international scoop, Movono landed an interview with the new Prime Minister, Sitiveni Rabuka, for the first episode of The Pacific.

“When I knew that there was going to be a segment of The Pacific where we could Talanoa with leaders of the Pacific, it was important for me to position the ABC as the one international organisation that Rabuka would do an interview with,” she says.

“I knew, with the new government only weeks into power, it was going to be a challenge. The government is dealing with a failing economy, a divided country, high inflation, high levels of poverty, the ongoing recovery from covid and trying to mitigate the impacts of climate change.

“But he has made progress as a Pacific leader, as the leader of a country just coming out of a military dictatorship, and he’s done some significant work in the region. So, it was a very significant interview, probably one of the most important assignments of my career.”

In addition to new content and engagement of local journalists, ABC International Services is also expanding the FM footprint for ABC Radio Australia and enhancing media training across the region.

As she prepared for the first episode of The Pacific to go to air, Tahlea Aualiitia was keen to hear the feedback from the audience and — with some trepidation– from family and friends in Samoa.

“I think that’s the part that I’m most nervous about,” she says.

“I know that they will lovingly make fun of my struggling to pronounce Samoan words properly, given I grew up in Australia, but I know they’re already proud of me because of the work I’m doing here.

“Having said that, my brother is a doctor, so I don’t think I’ll ever reach that level of family pride but I’m getting closer!”

The Pacific premiered on ABC Australia last Thursday. This article is republished with permission.

Article by AsiaPacificReport.nz

SPECIAL REPORT: By ABC Backstory editor Natasha Johnson

When Tahlea Aualiitia talks about hosting the ABC’s new Pacific-focused news and current affairs TV programme, The Pacific, her voice breaks and she becomes emotional.

Personally, it’s a career milestone, anchoring her first TV show after a decade working mostly in radio, producing ABC local radio programmes and presenting Pacific Mornings on ABC Radio Australia. But it’s also much more than that.

Aualiitia grew up in Tasmania and is of Samoan (and Italian) heritage. She has strong connections to the country and the Pacific Islander community in Australia.

What moves her so profoundly about The Pacific is that the 30-minute, weekly programme is being broadcast across the Pacific on ABC Australia, the ABC’s international TV channel, as well as in Australia (on the ABC News Channel and iview), and is produced by a team with a deep understanding of the region and features stories filed by local journalists based in Pacific nations.

“For me, it’s representation and I think that is really important,” she says.

“I’m probably going to cry because for so long I feel that in Australia and on mainstream TV, Pacific Islanders have been, at best, under-represented and, at worst, misrepresented.

“Given the geopolitical interest, there is more focus on the Pacific but my hope for this show is that it will highlight Pacific voices, really centre those voices as the people telling their stories and change the narrative.

‘The ABC cares’
“It shows the ABC cares, we are not just saying we decide what you watch, we’re involving you in what we’re doing, and I think that that makes a difference.”

Aualiitia’s father was born in Samoa and moved to New Zealand at the age of 12, then later to Australia. Her mother’s brother married a Samoan woman, so Samoan culture was celebrated in her immediate and extended family.

She recalls a childhood shaped by Samoan food, dance and song, and the importance of family, faith and rugby. But from her experience, “the narrative” about the Pacific in Australia has tended towards being negative or patronising.

“I think people tend to see the Pacific as a monolith and there are a lot of stereotypes about what a Pacific Islander is, especially in view of the climate change crisis — there’s this idea everyone’s a victim and they should all just move to Australia,” she says.

“There’s a lot of stuff you carry as a brown journalist. When I hear a story on the news about a Pacific Islander and a crime, I brace myself and think about what that might mean for my day, is it going to make my day at harder when I walk out onto the street, will it make my day at work harder?

“I’ve had people say to me when they learn I have an arts degree, ‘oh, your parents must be so proud of you because you’re the first person in your family who has gone to uni’. And that’s not true, my dad has a PhD in chemistry.

“It’s indicative of ideas that people have of what you’re capable of, what you can do, and that’s the power of the media to shape those narratives and change those narratives.

Facebook ‘reality’ check
“When I started presenting Pacific Mornings, I would interview people from across the Pacific and people would find me on Facebook, message me, saying, ‘I didn’t know any Pacific Islanders were working at the ABC’.

“I was just doing my job, but they said they were proud of me, of the visibility and that it was a good thing that it was happening. So, I hope this programme re-frames things a little bit by showing the rich diversity of the Pacific, its different cultures, resilience, and the joy of being Pacific.”

The Pacific is being produced by the ABC’s Asia Pacific Newsroom (APN), based in Melbourne, with funding from ABC International Broadcast and Digital Services.

While the scope of the ABC’s international services has fluctuated over the years, depending on federal government funding levels, an injection of $32 million over four years to ABC International Services allocated in the 2022 budget has enabled this first-of-its-kind programme to be made, among a suite of other initiatives under the Indo-Pacific Broadcast strategy.

“The APN has been a trusted content partner for the ABC’s International Services team for many years and already has deep Pacific expertise,” says Claire Gorman, head of international services.

“We have been working with the APN to produce our flagship programmes Pacific Beat and Wantok for ABC Radio Australia and have been wanting to produce a TV news programme for Pacific audiences for some time, but until now have not have the funding for it.

“The Pacific is the first of many exciting developments in the pipeline. We believe it is more important than ever before for Australians and Pacific audiences to have access to independent, trusted information about our region.”

Pacific-wide team
Joining Aualiitia on air is long-serving Pacific Beat reporter and executive producer Evan Wasuka and journalist Johnson Raela, who previously worked in New Zealand and the Cook Islands.

Correspondent Lice Movono, based in Suva, Fiji, and Chrisnrita Aumanu-Leong in Honiara, Solomon Islands, are contributing to the programme as part of a developing “Local Journalism Network”, also funded under the Indo-Pacific Broadcast strategy, to use the expertise of independent journalists located in the region.

Behind the scenes are APN supervising producer Sean Mantesso, producers Gabriella Marchant, Dinah Lewis Boucher, Nick Sas and APN managing editor Matt O’Sullivan.

“The ABC has covered the Pacific for decades but largely for the Pacific audience,” says O’Sullivan.

“In recent years, that’s mostly been via Pacific Beat and increasingly through digital and video storytelling. We’ve felt for some time that there’s growing interest in the Pacific within Australia and there’s also a massive Pacific diaspora in Australia with strong links to the region.

“So, we’ve felt a need to share our content more broadly. The Pacific programme will cover the breadth of Pacific life beyond palm trees and tourism, from politics to jobs and the economy, climate change, culture and sport.”

Lice Movono has been working as a journalist in Fiji for 16 years and has previously filed for the ABC. She believes elevating the work of regional journalists across the ABC programs and platforms, through the Local Journalism initiative, will help provide more informed coverage of Pacific affairs.

“I believe it’s critical for journalists from within the Pacific to be at the centre of storytelling about the Pacific,” she says.

“A few years ago, while working in a local media organisation, I had the opportunity to attend a conference in Europe and it shocked and saddened me to find that there are people on the other side of the world who have little or no understanding of what it means to live with the reality of climate change here in the region.

“So, it means everything for me to work with the ABC, which has one of the widest, if not the widest reach in the Pacific region and to have access to a platform that tells stories about the Pacific and Fiji, in particular, to the rest of the world, to tell authentic stories through the lens of a Pacific Islander, and an Indigenous one at that, about the realities of what Pacific people face.”

While the covid pandemic and various lockdowns curbed a lot of international news gathering, it provided an opportunity to showcase the work of locally based reporters on ABC domestic channels.

“We’ve often used stringers in the region, but covid showed us the value journalists in country can offer,” says O’Sullivan.

“Because we couldn’t fly Australian-based crews into the region during the pandemic, we relied more on journalists in the Pacific telling their stories, for example during the 2021 riots in Solomon Islands.

“We are now building on that foundation of local expertise and knowledge by establishing the Local Journalism Network of independent journalists to report for the ABC.

“We’ve had producers doing training with them, teaching them how to shoot good TV pictures and we’ve provided mobile journalism kits that enable them to quickly do a TV cross.

“In filing for the ABC, they can tell stories local media often can’t but the challenge for us is protecting them.”

Support and protection from the ABC has been welcomed by Movono. Renowned for her tough questioning, she has endured personal threats and harassment over the course of her career, but the country is now moving into a new era of openness with the newly-elected Rabuka government repealing the controversial Media Industry Development Act that was introduced under military law in 2010 and has been regarded as a restraint on media freedom.

In an international scoop, Movono landed an interview with the new Prime Minister, Sitiveni Rabuka, for the first episode of The Pacific.

“When I knew that there was going to be a segment of The Pacific where we could Talanoa with leaders of the Pacific, it was important for me to position the ABC as the one international organisation that Rabuka would do an interview with,” she says.

“I knew, with the new government only weeks into power, it was going to be a challenge. The government is dealing with a failing economy, a divided country, high inflation, high levels of poverty, the ongoing recovery from covid and trying to mitigate the impacts of climate change.

“But he has made progress as a Pacific leader, as the leader of a country just coming out of a military dictatorship, and he’s done some significant work in the region. So, it was a very significant interview, probably one of the most important assignments of my career.”

In addition to new content and engagement of local journalists, ABC International Services is also expanding the FM footprint for ABC Radio Australia and enhancing media training across the region.

As she prepared for the first episode of The Pacific to go to air, Tahlea Aualiitia was keen to hear the feedback from the audience and — with some trepidation– from family and friends in Samoa.

“I think that’s the part that I’m most nervous about,” she says.

“I know that they will lovingly make fun of my struggling to pronounce Samoan words properly, given I grew up in Australia, but I know they’re already proud of me because of the work I’m doing here.

“Having said that, my brother is a doctor, so I don’t think I’ll ever reach that level of family pride but I’m getting closer!”

The Pacific premiered on ABC Australia last Thursday. This article is republished with permission.

Article by AsiaPacificReport.nz

A group of “pink shoes” women in Aotearoa New Zealand campaigning for gender equality in the Catholic Church took their message with a display of well-worn shoes to St Patrick’s Cathedral plaza in Auckland today on International Women’s Day.

It was part of a national and global “Pink Shoes into the Vatican” campaign.

“Women from all over the country have sent their worn out shoes with their stories of service to the Catholic Church, only to find that the doors to full equality in all areas of the ministry and leadership remain firmly closed,” said an explanatory flyer handed out by supporters.

“A vibrant church requires a synodal structure in which all members share full equality by right of their baptism.”

The organisers, Be The Change, say: “We are interested in your story. You are invited to email or write to us telling of your experience with the church. You do not have to be a practising Catholic to participate.”

‘Pink Shoes into the Vatican’ campaign stories.  Video: Be The Change

Article by AsiaPacificReport.nz

PART 2: WS storytelling in more detail

In part one of my article on White Supremacy (WS), I articulated some of the features of the WS network in Aotearoa and positioned this framework along a spectrum. I attempted to introduce readers to a WS spectrum so people could better understand and then respond to the phenomenon of supremacy in Aotearoa.

In the first article, I argued that one of the features of the emergent WS framework in Aotearoa involved the development of narratives. This second article seeks to explore the question of WS storytelling in more detail.

Moreover, this article seeks to situate WS narratives within a storytelling framework to enable different communities to read supremacist messages as stories, contextualise them, and respond to them — from within the various standing places different communities occupy in time and space in Aotearoa.

White Supremacists (WS) have been very effective in articulating their narratives in a variety of ways during the covid-19 lockdown period. WS narratives are being disseminated across a range of media simultaneously.

The stories have been deployed in alternative media broadcasts; emails; Facebook comments, links, memes, posts, stories, video of live events; internet sites; political party press statements, political party policy documents, and even non-mainstream television shows to disseminate their stories on a wide array of issues.

Whether short or long, serious, or humorous, visual, or written, WS advocates are telling their stories and teaching their “lessons”. Such stories are being affirmed and disseminated in freedom marches and anti-vax protests — as videos of such gatherings attest.

WS messaging is occurring across multiple platforms as tracked by Hannah, Hattotuwa, and Taylor of The Disinformation Project.

Disseminating narratives
WS individuals, groups, and organisations are disseminating narratives to push their agendas. These stories include ones that illuminate:

• contempt for Te Tiriti;
• rejection of power sharing between Pakeha and Māori as articulated in Te Tiriti;
• antagonism towards Māori communities historical experience of colonialism;
• privileging of a mythology of peaceful and just race relations between Māori and Pakeha- thereby simultaneously erasing the racism experienced by Asians, Africans, Pacific peoples, and others in this land;
• desire by political parties in policies to end “race”-based privileges for Māori in health, law, or at the United Nations;
• vilification of the NZ Labour Party as “socialistic”;
• attacks on Māori activist, community, political, and scholarly leaders — and attempts to separate leaders from their peoples;
• attacks on the United Nations and governments as “cabals of evil”;
• contempt for migrants and migrant rights;
• lauding of former US President Donald Trump, Republicans, or QAnon leader, “Q”; and
• intolerance and bigotry expressed towards Māori, Jews, Muslims, and other communities.

I have identified only 11 narratives that privilege WS in the list above. There are many other stories contributing to what is a diverse WS movement.

I cannot articulate a framework illuminating how WS advocates are using video, meme, comments, or policy documents aesthetics to tell their stories because I do not have the space or time here. But what I can offer is an analysis of WS storytelling to empower communities to “close read” the stories WS supporters are telling in their deployment of different media.

We need to develop frameworks to intercept, assess, and respond to these narratives, so communities have the means of defending their lives, mana, and the sanctity of their communal stories in the face of a barrage of WS storytelling.

African, Arab, Asian, Jewish, Māori, Pacific, Palestinian, and Pakeha communities are grounded in (1) rich cultures; (2) values; (3) community spirit; (4) interpretive traditions; (5) reading traditions; (6) oral and communal storytelling traditions; and (7) wisdom and insight.

Deploy learning
I invite readers from different cultures to deploy their learning when considering the following issues concerning WS.

The first narrative I identified regarding WS frameworks above is the story of the contempt for Te Tiriti. We could ask:

• is the story of contempt for Te Tiriti based upon fact?
• is this story true?
• what beliefs about Māori and Te Tiriti must people hold to accept this story as “true?”
• who are the authors of the story of contempt for Te Tiriti?
• where do the stories come from?
• has this story been told in Aotearoa before covid 19-lockdowns in 2021?
• where is this story circulating?
• is this story being used to organise opposition to Māori communities?
• does this story uphold the mana of Māori communities?
• what values underpin this story?
• is this story connected to WS narratives coming from the US, Europe, Australia, or other foreign countries?
• is this story connected to other WS narratives circulating in contemporary Aotearoa today?
• is this story one being used to attack Māori community rights?
• what is the plot of the story of contempt for Te Tiriti?
• are there variations to the plot of this story?
• who are the key characters of this story?
• who are the heroes and who the villains in this story?
• what lessons does the story teach us?
• does this story resonate with the community beliefs, cultures, and values of many different Aotearoa communities?
• does this story attempt to erase the narratives of Māori communities?
• does this story attempt to distort the experience of Māori communities?
• does this story prevent the emergence of Māori community narratives?
• does this story foster better relationships between Māori and other communities in Aotearoa? and
• is this story good for communities, Aotearoa, and the Pacific?

I hope different communities will develop their own reading strategies in response to these problems. Similarly, it is to be hoped that communities will also develop their own questions in response to WS narratives — and the “truths” embedded these stories.

Remembering Said’s words
The words of the Palestinian-American activist, commentator, scholar, and writer Edward Said are apt here. The late Professor Said once wrote in his famed essay, “Permission to Narrate”, that, “Facts do not at all speak for themselves, but require a socially acceptable narrative to absorb, sustain and circulate them. Such a narrative has to have a beginning and end…”

We should remember Said’s words as we defend the narratives of Māori and all other communities against the stories of WS.

Covid-19 lockdowns have brought hardship to the door of many folks in Aotearoa. Nonetheless, stories of community service, kindness, unselfishness, and care abound in Aotearoa today.

Narratives of community concern, fellowship, generosity, service, respect, and tolerance underpin the labour of many — particularly those working in the health sector. These narratives are being written by all the peoples of Aotearoa together.

Māori narratives of community service have been particularly inspiring during this difficult lockdown period. People should reflect upon whether the WS narratives uphold the dignity of Kiwis of all cultures — or whether these narratives uphold the most antagonistic features of settler colonialism in Aotearoa.

In conclusion, I have ancestry from different parts of the Moana (Pacific) as well as ancestors from Europe. I am as proud of my Highland Clan Stewart heritage today as I am of my other ancestors.

I did not know my Pakeha family well and felt ashamed and antagonistic towards this ancestry when I was younger. These feelings changed when I spent time with Pakeha family in the South Island.

I admire the staunch pride of my Scottish ancestors, especially those clan members who fought against English invaders. I believe there is much to respect in Pakeha culture.

I also believe Pakeha can be proud of their ancestors and still live beyond the ideology that says their culture is superior and should rule over Tangata Whenua in this land. Pakeha culture need not be white supremacist culture.

Pakeha and Māori can respect one another and move forwards as partners under Te Tiriti. This is a narrative worth supporting moving into the future.

Tony Fala wishes to acknowledge the lives and work of Amiri Baraka, Bantu Stephen Biko, Frantz Fanon, and Edward Said as the inspiration for this article. Finally, Fala wishes to acknowledge his good friend Emeritus Professor Roger Horrocks. Horrocks was a superlative anti-Vietnam War student protest leader, scholar, and teacher. He taught Fala, alongside generations of other students, how to close read works of culture, film, history, media, literature, and television with commitment, dedication, and alofa. Horrocks is also one of the humblest people the author knows. Fala holds a PhD from the University of Auckland in Media, Film and Television.

Article by AsiaPacificReport.nz

Asia Pacific Report newsdesk

New Zealand reported a record 129 new community cases of covid-19 today — the day after reaching triple digit figures for the first time.

Nine of today’s new cases are in Waikato, with the rest in Auckland.

Auckland remains at step 1 of alert level 3, and this will be reviewed on November 1, while parts of Waikato are also at alert level 3, to be reviewed on October 27.

A total of 102 community cases was reported yesterday.

Earlier today, Prime Minister Jacinda Ardern announced the covid-19 Protection Framework plan to help New Zealanders stay safe in the future.

“The delta variant has made it very hard for New Zealand to maintain its elimination strategy — and now we need people to be vaccinated to save lives,” reports the Ministry of Pacific Peoples.

“If you’re still weighing up whether to get vaccinated, check out our Let’s Talanoa video series.”

Open conversations
Aimed at Pacific people under 30, this video series promotes having open conversations about the covid-19 vaccine and why it is safe and important to get vaccinated.

The series is hosted by Dr Lesina Nakhid-Schuster and Rocky Lavea.

This week’s episode is “Know your Vax”, which you can view on our digital channels Facebook, Instagram and YouTube.

Visit here for a list of walk-in and drive-through vaccination locations.

Based on the advice of Professor David Skegg and the Public Health Advisory group, New Zealand’s goal is to minimise and protect.

Like the current alert level system, there will be three settings — green, orange and red — and it is designed to manage outbreaks and cases.

Visit here to learn about the new framework.

Article by AsiaPacificReport.nz

How could I do justice to all of it?

Do I write about the history? Do I write about the stories people are telling about him? Do I write about his band of brothers who helped him in the early years?

Sir Michael was, himself,  a storyteller.

Narratives woven into relationships
He didn’t just tell stories with words.  The narratives were woven into his existence and in the relationships he built throughout his life.  From them, came  the stories that have been given new life with his passing.

I went to speak to Sir Pita Lus, his closest friend and the man who, in Papua New Guinean terms, carried the spear ahead of the Chief.  He encouraged Michael Somare to run for office.

He told me about the old days about how he had told his very reluctant friend that he would be Prime Minister.  In Drekikir,  Sir Pita Lus told his constituents that his friend Michael Somare would run for East Sepik Regional.

Sir Pita Lus and his relationship with Sir Michael is a chapter that hasn’t yet been written.  It needs to be written.  It is up to some young proud Papua New Guinean to write about this colorful old fella.

A chief builds alliances. But what are alliances? They are relationships. How are they transmitted? Through stories.  Sir Michael built alliances from which stories were told.

When I went to the  provincial haus krai in Wewak, there were  huge piles of food. I have never seen so much food in my life.  Island communities of Mushu, Kadowar and Wewak brought bananas, saksak and pigs in honor of the grand chief.  They also have their stories to tell about Sir Michael.

The Mapriks came. Ambunti-Drekikir brought huge yams, pigs and two large crocodiles.  The Morobeans, the Manus, the Tolais, West Sepik, the Centrals.

In Port Moresby, people came from the 22 provinces …  From  Bougainville, the Highlands, West Sepik and West Papua.

In Fiji, Prime Minister, Voreqe Bainimarama sent his condolences as he read a eulogy. In Vanuatu, Melanesian Spearhead Group (MSG) members held a special service in honour of Sir Michael.  In Australia, parliamentarians stood in honour of Sir Michael Somare.

Followed to his resting place
Our people followed the Grand Chief to his resting place. The Madangs came on a boat. Others walked for days just to get to Wewak in time for the burial.

How did one man do that?  How did he unite 800 nations?  Because that is what we are. Each with our own language and our own system of government that existed for 60,000 years.

Here was a man who said, “this is how we should go now and we need to unite and move forward”.

In generations past, what have our people looked for? How is one deemed worthy of a chieftaincy?

I said to someone today that the value of a chief lies in his ability to fight for his people, to maintain peace and to unite everyone. In many of our cultures, a chief has to demonstrate a set of skills above and beyond the rest.

He must be willing to sacrifice his life and dedicate himself to that  calling of leadership. He must have patience and the ability to forgive.

The value of the chief is seen both during his life and upon his passing when people come from all over to pay tribute.

For me, Sir Michael Somare, leaves wisdom and guidance – A part of it written into the Constitution and the National Goals and Directive Principles. For the other part, he showed us where to look.  It is found in our languages and in the wisdom of our ancestors held by our elders.

Asia Pacific Report republishes articles from Lae-based Papua New Guinean television journalist Scott Waide’s blog, My Land, My Country, with permission.

Article by AsiaPacificReport.nz

Pacific Media Watch Newsdesk

A Vanuatu Daily Post newspaper reader has protested over Facebook addiction, describing it as ruining the lives of teenagers and youth who spend most of their time on smartphones.

The reader says that Facebook and other social media are undermining the constitution and its preamble that calls for the cherishing of cultural diversity and tradition.

The “concerned citizen” calls on internet providers, Malvatumauri (Council of Chiefs) and communities to “train and teach” social media users to make the “right choices in life” and to restore storytelling in nakamals (meeting places for drinking of kava). The letter said:

READ MORE: The Nakamal Diaries

Dear Editor,

As a native Ni-Vanuatu citizen, I wish to appeal to the government and Malvatumauri Council of Chiefs to take up an active participative (sic) regular awareness over the use of social media, particularly Facebook.

As stated by one of our former Ministers, “Ol generation blo today, hemi ol generation blo lukluk down”!

Today as you can see around our different societies in Vanuatu, teenagers and youth spend most of their valuable time with their smartphones to access Facebook, playing games, and accesing other social media apps.

The present era of technology has changed the attitude and behavior of Vanuatu teenagers and youth compared to the past, and it results to (sic) many social problems in our societies.

These behaviors defeat the purpose of our preamble, that is cherish our cultural diversity and traditional Melanesian values and Christian principles. Our cultural norms such as sitting with our parents for family talk, and listening to cultural and historical stories and a frequent “Storian tuketa” in our various nakamal time has been replaced by the high use of smartphones and social media.

Given that, I am suggesting that our government should work closely with the internet providers, Malvatumauri and the communities to train and teach its users, especially teenagers and youth, to understand the causes and effect, in order to make right choices in life and also to reduce disrespectful attitudes.

A Concerned Citizen
Vanuatu Daily Post

Article by AsiaPacificReport.nz

Pacific Media Watch Newsdesk

An Australian doctoral researcher whose honeymoon plans in Indonesia included a cultural festival in the insecure Papua region has been deported after Indonesian officials accused her of being a journalist, a news agency reports.

Belinda Lopez, a fluent Bahasa speaker, is back in Australia with a week left of her holiday but her plans ruined.

Her husband had already been barred from boarding the flight to Bali because his Dutch passport had less than six months validity. She was forced to fly alone.

READ MORE: Amnesty International report on West Papua

Lopez told the Jakarta correspondent of the US-based  Associated Press agency she had been detained on arrival in Bali on Friday and had been told she would be deported on a 10pm flight on Saturday.

She told of her ordeal at the weekend on social media, saying immigration officials wanted to know if she was a journalist and repeatedly asked her if she had “done something bad to Indonesia.”

Saturday’s Asia Pacific Report.

-Partners-

Almost a decade ago she was a subeditor for English-language newspapers in Jakarta and had produced podcasts for Australia’s state broadcaster ABC Radio National This Is About programme.

As a former journalist she was described on a website as having won awards as a producer for Radio Netherlands Worldwide in 2012 and 2013.

‘Emerging creators’
“As an educator and producer, she has worked with several not-for-profit organisations, encouraging emerging creators and local communities to tell their own stories,” the website said.

She is currently a PhD student at Sydney’s Macquarie University, researching the cultural experiences of migrants to Java, Indonesia’s most populous island.

Being deported is “devastating,” Lopez told AP.

“It’s the first place I moved to as an adult, have visited so many times since, to learn the language and to visit people who have become some of my best friends in the world,” she said in a WhatsApp message.

Her holiday plans included the Baliem festival in the Melanesian region of Papua that Indonesia strictly controls, including restricting foreign journalists, diplomats and aid workers from visiting.

A pro-independence insurgency has continued in the Melanesian region since it was annexed by Indonesia in the early 1960s.

Indonesia’s police and military are frequently accused of human rights abuses in Papua, reports AP.

Unlawful killings
A recent Amnesty International report documented 95 unlawful killings by security forces in Papua since 2008.

Lopez told AP she had been refused a visa renewal two years ago in Papua because officials suspected she was a journalist. At that time they said she could not re-enter Indonesia for six months, according to Lopez.

The head of the Immigration Office at Ngurah Rai airport in Bali, Amran Aris, said Indonesia’s military had added Lopez to a government blacklist as a “covert journalist”.

He said he couldn’t give other details because it was a state secret.

“We only carry out the duties as her name is listed on the government’s blacklist, so we have to refuse her entry,” said Aris.

The Pacific Media Centre’s director Professor David Robie described the treatment given Lopez as “shameful”.

He said it was high time Indonesian authorities dropped its “paranoid” and “secretive” policy and allowed an open door with journalists and researchers freely visiting the two provinces of Papua and West Papua.

Dr Robie is convenor of the Pacific Media Watch freedom project.

Article by AsiaPacificReport.nz