Kim Gordon is as fearless as ever on new album Play Me

With each passing year, Kim Gordon grows more impressive. A fearless talent devoted to the avant garde who refuses to soften her artistic impulses, she’s not just releasing music into her 70s, but music that’s as challenging as her old band Sonic Youth were during their heyday.

There’s no denying Play Me is slight when compared to her 2025 release The Collective (it very much comes off as a collection of b-sides to that album), but it finds its own identity regardless, Gordon again adds vocals to trap and industrial beats, but branching out into motorik tempos and instrumental hooks that border on pop.

She worked with Justin Raisen, who helmed The Collective and has produced music for Charli XCX, Drake, and Lil Yachty, with results lighter and sillier than anything Gordon has done previously, and run through with sardonic wit. Aiming once again at topical targets, but with an even broader approach (which is saying something considering The Collective had a feminist song called ‘I’m a Man’), she holds a mirror up to things like tech bros and government censorship by approaching them at their level.