Editorial staff at Australia’s public broadcaster ABC have again registered a vote of no confidence in managing director David Anderson and senior managers over the handling of complaints by Israeli lobbyists.

At a national meeting of members of the Media, Entertainment & Arts Alliance this week, staff passed a resolution of no confidence in Anderson and all ABC managers involved in the decision to unfairly dismiss freelance broadcaster Antoinette Lattouf, MEAA said in a statement.

The meeting was held in response to the Fair Work Commission hearings to determine Lattouf’s unfair dismissal claim after she had been sacked from her temporary job as host of ABC Sydney radio’s morning show in December.

Staff have also called for ABC’s head of content, Chris Oliver-Taylor, to step down immediately for his role as the ultimate decisionmaker in the dismissal of Lattouf.

“The mishandling of Antoinette Lattouf’s employment has done enormous damage to the integrity and reputation of the ABC,” said MEAA media director Cassie Derrick.

“Evidence provided in the Fair Work Commission hearing about the involvement of David Anderson and Chris Oliver-Taylor in her dismissal has further undermined the confidence of staff in the managing director and his senior managers to be able to protect the independence of the ABC.

“The Lattouf case continues a pattern of ABC journalists, particularly those from culturally diverse backgrounds, lacking support from management when they face criticism from lobby groups, business organisations and politicians.

“For these reasons, Chris Oliver-Taylor should be stood down immediately, while Mr Anderson must demonstrate he is taking the concerns of staff seriously to begin to restore confidence in his leadership.”

Lattouf co-founded Media Diversity Australia (MDA) in 2017, a nonprofit agency which seeks to increase cultural and linguistic diversity in Australia’s news media.

Her parents arrived in Australia as refugees from Lebanon in the 1970s.

Lattouf was born in 1983 in Auburn, New South Wales. She attended various public schools in Western Sydney and studied communications (social inquiry) at the University of Technology Sydney.

Union-led ABC staff call for the resignation of the Australian @ABCNews chief content officer after court documents revealed his role in journalist Antoinette Lattouf’s dismissal for an accurate social media post about Israel’s starvation strategy.https://t.co/eQ8fLBiQL6

— Kenneth Roth (@KenRoth) March 21, 2024

The full motion passed by ABC MEAA members on Wednesday:

“We, MEAA members at the ABC, are outraged by the revelations of how ABC executives have disregarded the independence of the ABC, damaged the public’s trust in our capacity to report without fear or favour, and mistreated our colleague Antoinette Lattouf.

“Staff reaffirm our lack of confidence in managing director David Anderson, and in all ABC managers involved in the decision to unfairly dismiss Antoinette Lattouf.

“Chris Oliver-Taylor has undermined the integrity of the entire ABC through his mismanagement, and should step down from his role as Head of the Content Division immediately.

“We call on ABC management to stop wasting public funds on defending the unfair dismissal case against Antoinette Lattouf, provide her and the public a full apology and reinstate her to ABC airwaves.

“We demand that ABC management implement staff calls for a fair and clear social media policy, robust and transparent complaints process and an audit to address the gender and race pay gap.”

Article by AsiaPacificReport.nz

Newshub, one of the key media companies in Aotearoa New Zealand, is to close its newsroom on June 30, reports RNZ News.

Staff were told of the closure at an emergency meeting today.

Newshub is owned by US-based global entertainment giant Warner Bros Discovery which also owns Eden, Rush, HGTV and Bravo.

In 2020, it took over the New Zealand channel’s assets which had been then part of Mediaworks.

Staff were called to a meeting at Newshub at 11am, RNZ News reported on its live news feed.

They were told that the US conglomerate Warner Brothers Discovery, owners of Newshub, was commencing consultation on a restructuring of its free-to-air business

This included the closure of all news operations by its Newshub operation

All local programming would be made only through local funding bodies and partners.

James Gibbons, president of Asia Pacific for Warner Bros Discovery, said it was a combination of negative events in NZ and around the world. The economic downturn had been severe and there was no long hope for a bounce back

Revenue has ‘disappeared quickly’
“Advertising revenue in New Zealand has disappeared far more quickly than our ability to manage this reduction, and to drive the business to profitability,” he said.

He said the restructuring would focus on it being a digital business

ThreeNow, its digital platform, would be the focus and could run local shows

All news production would stop on June 30.

The consultation process runs until mid-March. A final decision is expected early April.

“Deeply shocked’
Interviewed on RNZ’s Nine to Noon programme, a former head of Newshub, Mark Jennings, said he was deeply shocked by the move.

Other media personalities also reacted with stunned disbelief. Rival TVNZ’s Pacific correspondent Barbara Dreaver said: “Thinking of my friends and colleagues from Newshub.

“So many super talented wonderful people. Its a terrible day for our industry that Newshub [will] close by June, we will be all the much poorer for it. Much aroha to you all.”

Newshub has broken some important Pacific stories over the years.

Jennings told RNZ a cut back and trimming of shows would have been expected — but not on this scale.

“I’m really deeply frankly shocked by it,” said Jennings, now co-founder and editor of Newsroom independent digital media group.

He said he expected all shows to go, including AM Show and investigative journalist Patrick Gower’s show.

Company ‘had no strategy’
“I think governments will be pretty upset and annoyed about this, to be honest.”

“Unless they have been kept in the loop because we’re going to see a major drop in diversity.

“Newshub’s newsroom has been, maybe not so much in recent times, but certainly in the past, a very strong and vibrant player in the market and very important one for this country and again as [RNZ Mediawatch presenter] Colin [Peacock] points out, who is going to keep TVNZ’s news honest now?

“I think this is a major blow to media diversity in this country.”

“First of all, Discovery and then Warner Bros Discovery, this has been an absolute shocker of entry to this market by them. They came in with what I could was . . . no, I couldn’t see a strategy in it and in the time they owned this company, there has been no strategy and that’s really disappointing.

“If this had gone to a better owner, they would have taken steps way sooner and maybe we wouldn’t be losing one of the country’s most valued news services.”

Loss of $100m over three years
Jennings said his understanding was the company had lost $100 million in the past three years, which was “really significant”.

“I wonder if it had been a New Zealand owner, whether the government might have taken a different view around this, but I guess because it’s owned by a huge American, multi-national conglomerate, they would’ve been reluctant to intervene in any way.”

He said Broadcasting Minister Melissa Lee, a former journalist who ran the Asia Down Under programme for many years, faced serious questions now.

“It’ll be her first big test really, I guess, in that portfolio.”

This article is republished under a community partnership agreement with RNZ.

Article by AsiaPacificReport.nz

“Public interest journalism plays a crucial role in promoting the quality of public life, protecting individuals from misconduct on the part of government and the private sector, and giving real content to the public’s ‘right to know’.” – The Crucial Role of Public Interest Journalism in Australia and the Economic Forces Affecting It, by Henry Ergas, Jonathan Pincus and Sabine Schnittger, 2017.

No sooner had New Zealand’s $55 million Public Interest Journalism Fund (PIJF) been announced back in February than the howls of prejudice from the privileged few bubbled to the surface.

The notion that the PIJF was a political construct as the fund is overseen by the Ministry for Culture and Heritage and administered by NZ On Air, whose board members are appointed by the Minister for Broadcasting, Kris Faafoi, found favour in the apprehension of the displeased.

Accusations of media bias in favour of the incumbent government, instilling Article 2 of the Te Tiriti o Waitangi as well as the perception that Māori were being given preferential treatment in the PIJF have since been debated long and hard.

Goal 3: The PIJF says: “Actively promote the principles of Partnership, Participation and Active Protection under Te Tiriti o Waitangi acknowledging Māori as a Te Tiriti partner.”

Among those who questioned the media’s impartiality in the wake of the PIJF goals was opposition National Party leader Judith Collins.

“You have to wonder, does that buy compliance or what? And if it doesn’t buy compliance then why is part of that, that says that you’ve got to be seen to be promoting the principles of the Treaty of Waitangi, what the hell has this got to do with it,” Collins said with incredulity in an interview played on RNZ’s Mediawatch.

“You are talking about free media, free speech and you’ve got a government going around telling people we’ll help you out in the media because we think its good for you to have a media but you have to say what we think, I don’t buy it and I don’t think media should be buying it, obviously some have completely drunk the kool-aid.”

Then there was Dr Muriel Newman of the New Zealand Centre for Political Research who on Sky News Australia said:

“We’re in a situation where the government has spent $55 million on a public interest broadcasting fund. [This] is something the media can apply for to get grants and one of the conditions of doing that is they have to, if you like, speak out in favour of this Treaty partnership agenda.”

A grain of truth?
Is there a grain of truth to some of the critique and to the accusations of the media selling out its independence?

Former editor of The Dominion Karl du Fresne seems to think so as he has said in his blog:

“The line that once separated journalism from activism is being erased, and it’s happening with the eager cooperation of the mainstream journalism organisations that are lining up to take the state’s tainted money. We are witnessing the slow death of neutral, independent and credible journalism.

“Last month, The Dominion Post published a letter from me in which I challenged an article by Stuff editor-in-chief Patrick Crewdson headlined, ‘Why government money won’t corrupt our journalism’, in which Crewdson insisted Stuff’s editorial integrity wouldn’t be compromised by accepting government funding.

“I wrote: “ … what he doesn’t mention is that before applying for money from the fund, media organisations must commit to a set of requirements that include, among other things, actively promoting the Māori language and ‘the principles of Partnership, Participation and Protection under Te Tiriti o Waitangi’.

“In other words, media organisations that seek money from the fund are signing up to a politicised project whose rules are fundamentally incompatible with free and independent journalism.

“The PIJF should be seen not as evidence of a principled, altruistic commitment to the survival of journalism, which is how it’s been framed, but as an opportunistic and cynical play by a left-wing government — financed by the taxpayer to the tune of $55 million — for control over the news media at a time when the industry is floundering and vulnerable.”

‘Politicised project’
As Melissa Lee, National’s broadcast spokesperson, who is a former Asia Down Under broadcaster, said in the House during question time on August 4:

“Any news outlet that seeks money from the fund is signing up to a politicised project whose rules are fundamentally incompatible with free and independent journalism.”

Melissa Lee questions the Minister for Broadcasting and Media on August 4. Video: NZ Parliament on Vimeo.

Media consultant and former New Zealand Herald editor-in-chief Dr Gavin Ellis, who was one of a group of independent assessors who made initial assessments and had his Knightly Views column come under scrutiny from former North and South, Newsroom and Spinoff journalist Graham Adams, who wrote on the Democracy Project that:

“Some of journalism’s grandees have derided critics of the fund who object to its Treaty directions as ‘embittered snipers’ and as members of the ‘army of the disaffected’.

“In a column titled ‘Trashing journalists is not in the public interest’, Gavin Ellis, a former editor-in-chief of the NZ Herald, dismissed critical colleagues as ‘siding with conspiracy theorists who are convinced the nation’s mainstream media are in the government’s pocket’.

“He also passed off criticisms of ‘the emphasis on the Treaty of Waitangi in the criteria’ with: ‘There is no doubt that part of the funding will redress imbalances in that area and some of the already-announced grants aim to do that.’

“Given the fund’s criteria, redressing ‘imbalances’ can only mean amplifying the prescribed notion of the Treaty as a partnership — and certainly not questioning whether that interpretation is logically or constitutionally defensible.”

‘Sheer nonsense’
However, Dr Ellis wouldn’t have a bar of the insinuation that the media had sold out.

“The suggestion the media have been bought off is sheer nonsense,” Dr Ellis says.

“Look at it rationally: This is a modest amount of money spread over a number of years and across all eligible media organisations.

“If they were capable of being bought off – and I contend they are NOT – this would hardly be a winning formula for achieving it. Frankly, I think every working journalist in this country would be insulted by this suggestion.”

Faafoi was adamant that the fund remained independent of political interference.

“I am confident that any decision made around funding support announced recently is completely and utterly clear of any ministerial involvement, and quite rightly is undertaken by New Zealand on Air,” Faafoi said.

To the widespread view pushed by those suspicious of the PIJF that it would impact on media freedom and create bias, Selwyn Manning, publisher of Evening Report, says nothing could be further from the truth.

‘Simply silly’ argument
“The argument that the PIJF is an instrument of a Labour-led government is simply silly. The reality is, the lead appointment of the PIJF (NZ on Air Head of Journalism, Raewyn Rasch) is a former executive producer of TVNZ’s Seven Sharp.

“She was the executive producer when right-wing shock-jock Mike Hosking was the lead-host of that show.

“It beggars belief that some right-wing elements from within mainstream media are harping on that the PIJF will impact on media freedom,” Manning says.

“Now, I don’t know the politics of this former executive producer, but if the Labour-led cabinet was truly controlling NZ on Air operations, I doubt it would appoint Mike Hosking’s former gatekeeper into the key role of overseeing who and what gets a slice of the millions being dished out of the PIJF.”

The suggestion that the media had been ‘bought’ by the government earned a rebuke from Manning.

“The claim is absolute tripe. The same people who make the accusation are the very ones who have benefited from decades of corporate employment,” he says.

“Their former employers failed to develop new-century business models, and, many who believed they had a job for life, found themselves having to share the experience of the unemployed.

‘Smug mainstream complacency’
“Once cast into the wild, their lack of logic follows their years of smug mainstream complacency. The PIJF is designed to serve the public interest — not entrap an independent Fourth Estate. I’m not surprised that these practitioners of self-interest fail to understand the difference.”

Meanwhile, MP Melissa Lee has been conducting her own review into the media.

“Having met with dozens of broadcasting, media and content creators and industry leaders around New Zealand it is clear there needs to be a fundamental shift in the understanding of the future of media,” Lee says.

“Not just in funding, but in regulation and creativity in New Zealand; in other parts of the world global content creation platforms are innovating and embracing local markets and this needs to be considered within the framework as to how we fund these directly from the Crown and taxpayer.

“If there are commercial markets open to adapting Kiwi Stories that may have not had the same level of marketability before. We should be championing and discussing better partnerships on shore with all international and domestic content creators.

“When I set out on my own review, it showed me the industry, not the government and actually, not the taxpayer either, should be front-footing the future of their sector.

“Simply put, outside of directly non-commercial content there is a serious question as to some of the things we are seeing NZ on Air and other public-funded platforms supporting.”

Google and Facebook issue
As hinted by Minister Faafoi, the government may follow Australia’s lead, in seeking advertising revenue from Google and Facebook which was legislated for last year.

“Media is changing, the way people are consuming media is changing. We do think we need to assist some of the changing business models in the media at the moment,” he said in a recent podcast with Spinoff’s ‘The Fold’.

“At the time it was happening I said we wouldn’t take a similar approach and we haven’t.

“They have got an outcome and we have had discussions at the start of the year.

“If those (further) discussions happen it might go some way to replacing some of the revenue; we have put the PIJF to assist in the transition so we are keeping a very close eye on those discussions.

“We’ve sent the message to both Google and Facebook, after the round of talks (with local media). I would like to see more momentum there having said that officials are giving us advice on what other options are available to us.”

For once, Lee was in agreement with Faafoi as to the time limitation on the fund. Nor would she suggest a revenue gathering model for the industry to adopt.

‘Excessive level of funding’
“The government considers the PIJF to be a short term measure so I’m hoping it won’t be there when National returns to the Treasury benches. I wouldn’t support the model and the excessive level of funding that has been given in its current format and heavy conversations need to actually be had with the people of New Zealand as to what they want in the future of publicly funded journalism,” she said.

Dr Ellis considers that some form of assistance will need to go to the industry after its three-year duration.

“I sense that there will need to be ongoing support for initiatives like the Local Democracy Reporting (LDR) and the court reporting scheme, among others. However, we should not forget that among the grants are a number of (mainly TV and radio) programmes that have already been receiving long-term support from NZ on Air that have been moved into the PIJF.”

He pointed to the Reporters Without Borders Media Freedom Index in Nordic countries where the PIJF has been trialled successfully for 40 years.

“Look at the Freedom Index. New Zealand sits alongside those Nordic countries in terms of government attitudes to non-interference in media,” Dr Ellis says.

“There is a fundamental difference between trying to persuade — and all governments do that — and the type of coercion that ‘buying off the media’ suggests. There are legislative and constitutional safeguards against it.”

Māori and iwi journalism
One of the areas that has caused much consternation is under “Māori and iwi journalism in the general criteria is the section which says: “This spectrum of reporting is integral to the protection of te ao Māori under article 2 of Te Tiriti o Waitangi and includes (but is not limited to) focus areas such as:
● Te reo Māori and tikanga
● Political matters
● Historical accounts
● Profile-based reporting
● Tangihanga
● Māori interest
● Sports (Ki O Rahi, Waka Ama, Touch Nationals etc.)
● Civil Emergencies “

Yet under the what PIJF is NOT section, is the offending topic “National Political coverage”.

Although it has tried to justify this by comparing mainstream journalism with Māori journalism that is culturally specific.

That has been troubling for Manning, who saw it as a deficiency of the PIJF.

“A failure of this year’s PIJF remit was to exclude from consideration foreign affairs reporting and political reporting efforts,” he says.

‘Two vital elements’
“To me, that decision stripped two vital elements of public interest journalism from securing access to sustainable funding.

“It follows that communities, ethnicities that make up Aotearoa’s diverse multicultural experience, see politics and Pacific-wide affairs as essential components of their make-up.

“It is in the public interest that their experience and intellectual interaction with politics, and the world, be encouraged, supported and funded. But this was excluded from even being considered.

“That decision simply amplifies a Eurocentric bias. It was eyebrow-raising, to say the least, that New Zealand on Air stated to applicants that politics and foreign affairs reportage was excluded as it was already satisfactorily covered.”

It was a foible that drew the attention of Lee who said the fund draws over the cracks when it came to pluralism.

“I was deeply troubled and concerned at NZ on Air deciding to allow some forms of political journalism funding but not others and have yet to see a clear rationale for this from them or a clear answer from the Minister if he believes such funding plans were in scope for his policy proposals,” she says.

“While more ethnic media may get a temporary uplift through the fund, the reality is an effort to ensure diversity in reporters should be industry-led and not something that needs to be prescribed.

‘Other ethnicities excluded’
“One of the more discriminatory elements of the way the PIJF has been established is to pre-suppose Māori political reporting should be allowed but other ethnicities is excluded because for some reason the government believes Māori culture is innately political but other political reporting based on different ethnicities is barred; that is simply not right.”

Manning has another view on why Māori media matters specifically to New Zealand.

“Let’s seek some solutions. Ideally, the PIJF effort should be split into two camps; the first where Māori media develop an expression of public interest journalism that serves the needs of the Māori community; the second where all others express the development of public interest journalism through a multicultural frame.

“If that was embarked upon, then the challenge of measuring reach and diversity would be resolved through meritocracy and need, as opposed to racial through Eurocentric considerations,” Manning said.

He pulls no punches when he casts a caustic eye on media saying they are as much to blame for young talent not emerging from their own ranks as the Crawford Report in the Fund’s Stakeholder consultations and recommendations noted: “There was a consensus that the pipeline of talent into NZ journalism is broken. Newsrooms cannot find experienced journalists to fill vacancies and many in the industry believe the tertiary sector is not supplying sufficiently skilled graduates.”

As Manning explains: “If I may, I’ll speak to the degrees of blame emitting from mainstream media outlets. I’ll try to explain… The fact is the business models of many mainstream media are beyond their golden years.

“They cannot sustain the viability of their effort for much longer. They operate within a competitive paradigm where the value of an investigation is calculated by how popular it is; how it affects the time-on-site analytics; and how it may devalue an opponent’s brand (clickbait).

Reasons for journalism
“Public interest doesn’t come into it, that is unless it serves these elements. Nor does holding the powerful to account.

“Or creating an understanding that promotes common ground or positive change. A Fourth Estate endeavour couldn’t be farthest from their managers’ minds.

“Compare this to the reasons why young professionals study journalism and choose it as their preferred career path.

“I’d suggest 90 percent of those graduating with tertiary degrees majoring in journalism have made the commitment due to a desire to make a difference; to hold the powerful to account; to serve the public interest, and are dedicated to the ethics and ideals of a real Fourth Estate.

“The two cultures: the old corporate conservative dinosaur and the young idealistic professional, simply do not mix well. I fail to see any common ground between them.

“The consequence is a well-healed blame-game where the former media elites complain about the quality of entry-level journalists, and the rarity of the experienced.

“The reality is they want underpaid journalists, of all levels, that will serve them rather than public interest ideals”

Fourth Estate recognition heartening
Manning, in his final thoughts on the PIJF, said:

“If New Zealand on Air is sincere in its resolve (i.e. to learn from the PIJF early rounds) then a solid sustainable funding framework will emerge. From a media point of view, it is heartening that our democracy’s executive government has recognised how important is to have a sustainable Fourth Estate.

“It is disappointing in equal measure that the PIJF effort’s biggest critics come from mainstream media backgrounds.

“I suggest this reveals a pathetic state of intellectual decay that sadly is rife among those who once were journalists but are now yesterday’s news.”

That is the nature of the still-evolving media industry.

Article by AsiaPacificReport.nz

The announcement in February of a new $55 million, three-year Public Interest Journalism Fund (PIJF) by Minister for Broadcasting and Media Kris Faafoi suggested a revitalisation of tired old traditional media models.

Since then it has been viewed suspiciously by journalists with right-leaning tendencies and denizens of the dark who contend the government is attempting to curry favour with this bauble.

What makes it more than a shiny trinket became clear with one of the five goals of the PIJF being an ambition to “reflect the cultural diversity of New Zealand”.

Public Interest Journalism does not pander to the murky side of clickbait, advertorial, fake news, censorship, propaganda and voyeurism.

The fund ‘was a necessity’

As experienced journalist and producer Raewyn Rasch, who was appointed by New Zealand on Air (NZOA) as Head of Journalism alludes, the fund was a necessity.

“The impact of covid-19 had exacerbated the decline of traditional commercial media models,” she said.

“Prior to covid-19, rapid technological change and changing consumer behaviour was already causing financial constraints for media organisations as advertising revenues moved away from traditional media outlets towards online platforms and social media.”

It was time to sweep with a new broom as the media grappled with the changing landscape.

“As a result of covid-19, further declines in advertising revenue have resulted in significant journalist redundancies, pay cuts and disposal of infrastructure, with further cost-cutting measures expected,” explained Rasch.

That was confirmed by Crawford Media Consulting, which was engaged to interview industry players and find dominant trends prevalent in the media market.

“The decline in the provision of public interest journalism (PIJ) to New Zealand audiences is real and widespread. At the same time, PIJ output has reduced, the attractiveness of journalism as a career has collapsed.

Closure of journalism schools
This collapse is seen in the closure of journalism schools and the declining applications to one high-profile journalism course,” the report said.

Rasch saw the dire need for a calculated injection of funding to secure the decline in industry numbers.

“Covid-19 has accelerated the need to confront the pre-existing and fundamental challenges facing the news media sector,” Rasch said.

“Media companies have to adapt and transition to more sustainable business models that would fit the future media outlook, and continue to provide vital public interest journalism”.

It was then easy to assume then that Māori, Pasifika and other ethnic minority media had been marginalised.

It came as no surprise that Taualeo’o Stephen Stehlin, managing director of Sunpix, which produces Tagata Pasifika (TP), felt aggrieved at the way the Pacific programme was sidelined by state-owned Television New Zealand.

“I think [PIJF] is a great start and we have [funding] for two roles [for its new website TP+] for two years, although it is more than TP which gets funded from year to year [by the Ministry of Heritage and Culture].

‘Lack of leadership’
“But the big media companies, which we were part of for 27 years, then turned around and dumped us for no other reason than a lack of leadership.

“Personally, it has been good for us but for the development and capacity-building for Pacific people it is appalling because then the training is left to much smaller organisations like us, Coconet and PMN (Pacific Media Network) and we are all tiny in the grand scheme of things,” Stehlin said.

Rasch, however, said the PIJF had worked hard with applications received to fund diversity.

“We are particularly conscious of the need for diversity, in Māori, Pacific, and Asian journalism,” she told BusinessDesk in June.

Selwyn Manning, whose independent company Multimedia Investments Ltd, publisher of Evening Report, applied but was unsuccessful, said the PIJF sought to address issues of diversity.

“There is a clear and considered effort to address diversity through prioritising a biculturalism-first approach,” Manning said.

“And, it is encouraging that Māori media and Māori initiatives were highly represented among those entities that were successful in their funding applications — at least in the first round of PIJF considerations.”

Among five goals
Among the five goals the PIJF applicants had to achieve were to:

• Actively promote the principles of Partnership, Participation and Active Protection under Te Tiriti o Waitangi;
• Acknowledge Māori as a Te Tiriti partner; and
• Reflect the cultural diversity of New Zealand

That spoke volumes for the hoops applicants had to jump through, said Manning.

“What was particularly obvious was all applicants were required to address and detail their respective commitment to Te Tiriti o Waitangi and Te Reo Māori,” he said.

“This effort was clearly considered and well beyond past tokenisms that mainstream media entities were, in past years, encouraged to address.”

He paid tribute to RNZ’s Guyon Espiner and others for inculcating Te Reo gaining acceptance in the New Zealand media vernacular.

Concerted effort
“Generally in 2021, we have seen a concerted effort on behalf of mainstream multimedia producers to present a bicultural face to their reporting,” said Manning.

“I believe Radio New Zealand producers and reporters first set an excellent benchmark in this regard. Guyon Espiner and others pioneered this bicultural expression, and I have full admiration for their effort.

“The Public Interest Journalism Fund certainly seized on this cultural shift as an opportunity to embed this expression of biculturalism within its funding selection processes,” Manning said.

“New Zealand on Air should be applauded for making such a clear requirement to all PIJF applicants.”

Media consultant and former editor of The New Zealand Herald Dr Gavin Ellis, who was one of a group of independent assessors who made the initial assessments, was in agreement with that view.

“The criteria for the PIJF are certainly wide enough to accommodate broad diversity and the first two funding rounds show Māori and Pasifika media are well represented. Other ethnicities have also received funding.

“Much depends on the applicants: to receive the funding they must present as compelling a case as possible. So the ball is in their court,” Dr Ellis said.

‘No systemic problems’
“I’m satisfied the PIJF has no systemic problems relating to diversity. Indeed, I would say the opposite. Diversity is a key driver.”

Manning took this further with his assertion that diversity went beyond the realms of mainstream media.

“If Public Interest Journalism funding is accepted as necessary to maintain democratic balance, then such initiatives must go further than mere corporate welfare.”

However, diversity brings its own problems and one that the interviewees identified in the Crawford Media Consulting Report. This said:

“There was a consensus that the pipeline of talent into NZ journalism is broken.

“Newsrooms cannot find experienced journalists to fill vacancies and many in the industry believe the tertiary sector is not supplying sufficiently skilled graduates.

“For this reason, interviewees were enthusiastic about the possibility of a funded cadetship programme and other training initiatives,” the report said.

That highlights the constriction created by the dearth of good quality ethnic journalists.

‘Where are these people?’
“With 110 positions in the second round, that is great, the question is where are we going to find these people?” Stehlin asks in exasperation.

“The other problem is the whole media landscape for the last 30 years has been one of a production village where big broadcasters pick and choose so the small voices never get a look in.

“But that has changed now because the younger generation is simply not watching mainstream and they don’t care about current affairs, they would rather watch themselves doing TikTok.

“The pitch (PIJF) is admirable, it will create opportunities but it remains to be seen because there is a very small pool of Pacific journalists to begin with,” he said.

Where then do the likes of freelance journalists like Portia Mao, a Qantas Award winner who has written for North and South, Newsroom, Herald on Sunday, as well as worked for TVNZ Sunday, 60 minutes on TV3, go? Or are they meant to slip through the cracks?

“I have been working as a journalist in doing in-depth reports on big political and economic or cultural events that have happened in mainstream society since 2004,” Mao said.

“It is important to help the community integrate into New Zealand society by helping them to become informed citizens or residents. Apart from writing, I make video programmes.

Chinese candidate interview
“The video interview with Naisi Chen, the Chinese candidate during the last election got more than 8000 hits,” she says.

“I sometimes write in English to let the mainstream know what is happening in the Chinese community and what the community is concerned about. I do think my work is very important and I get no official support at all.

“It is really hard to make a living as an independent journalist.”

Mao has had to write in collaboration with Kiwi journalists whose bylines tend to dominate articles for fear of reprisals from Chinese authorities.

Of immediate concern is rectifying the broken pipeline of Māori and Pacific journalists.

That is where a training programme called Te Rito aims to train and hire 25 journalists and cadets to inject more Māori and diverse voices into the media.

Te Rito is a collaboration between Māori Television, Newshub, NZME, and Pacific Media Network and other media organisations such as Sunpix.

Funding for training
As Mihingarangi Forbes, presenter of the Māori programme The Hui, said:

“Yes, have been funded to do some training with iwi radio stations, also some consultation work to diversify mainstream newsrooms and we have a podcast on RNZ with Tau [Henare] and Shane [Jones] but it has been held up with covid.”

And, as one who observes from the sidelines but provides vital content, training and equipment to the Pacific Island, Natasha Meleisea, CEO for Pasifika TV (funded by the Ministry of Foreign and Trade, MFAT) and has extensive experience in media, marketing and Aadvertising assesses.

“There is a need to build a pathway for more diverse voices in journalism,” she said.

“It is timely to start thinking about broadening or redefining the concept of mainstream [media] to be more inclusive than divisive. Journalism can play an active role in normalising diversity and promoting acceptance.

“We are beginning to see this now, however, there is always more that can be done. There is hope that the PIJF will help encourage more diverse voices on-air, onscreen and online.” Meleisea said.

With the need for diversity in the media, identified by the catalyst of the 15 March 2019 mosques massacre in Christchurch, the PIJF is a bold move into uncharted waters.

Chance for a global standard
As the Crawford report concludes:

“The PIJF will invest more per year than either the UK or the Canadian PIJ schemes, in a country a fraction the size. The potential impact is big, and the scheme has an opportunity to set the global standard in terms of PIJ reinvention.

“It is not an exaggeration to say that for anyone convinced of the value of news, the initiative represents a crucial test. We hope that the information and recommendations in the full report will assist New Zealand in building a world-leading public interest journalism fund”.

At the heart of it will be diversity.

Article by AsiaPacificReport.nz

Asia Pacific Report newsdesk

The Media Entertainment and Arts Alliance (MEAA) union is reconsidering its involvement in the Australian Press Council and has appealed to members to give feedback on this issue.

Vice-president media Karen Percy has appealed to delegates on a YouTube video to take part in this consultation.

“Members have raised concerns about the lack of financial transparency at the Press Council and rulings that are increasingly out of step with community expectations,” she said.

If the MEAA leaves, it needs to give four years notice “to end our contributions”, which last year were more than A$100,000.

“That four years gives us time to look at alternative regulatory options, and that’s in line with the MEAA submission to the Senate Inquiry into media diversity which proposes a single entity for self-regulation,” said Percy.

Meanwhile, the MEAA says in a recent statement on its website that Facebook’s recent “ham-fisted handling of its news sharing ban” in Australia – which initially blocked crucial community information and health and government information sites – had revealed the real dangers of an organisation that “abuses its dominant position” and “thumbs its nose at rules and regulations”.

Last month’s decision by Facebook to unilaterally ban news on hundreds of Australian pages was “the arrogant act of a company with too much power that thinks it is beyond the reach of any government”, the statement said.

Facebook was acting in retaliation to the proposed News Media Bargaining Code, which would force it and Google to compensate media outlets for content that until now has been published on their platforms for free.

While Australia’s News Media Bargaining Code was not a silver bullet to fix the problems within the news media, it was an important step to address the “blatant imbalance between the digital giants” and those who produced public interest news content.

Article by AsiaPacificReport.nz