Tairāwhiti tā moko artists Maia Gibbs and Henare Brooking designed the jersey the Warriors wore in their Indigenous Round National Rugby League match against Newcastle Knights last Saturday.

The jersey, called Te Amokura, is a powerful expression of connection, unity and identity developed in partnership with Puma and Gisborne’s Toi Ake Maori art gallery.

Maia Gibbs (Ngāi Tāmanuhiri, Rongowhakaata, Ngāti Kahungungu) and Henare Brooking (Ngāti Porou, Rongowhakaata, Te Whānau-ā-Apanui, Ngāti Kahungunu, Ngāti Tūwharetoa) run the gallery located in Ballance Street Village.

It was set up about two years ago following the first covid-19 lockdown.

Gibbs said the jersey needed to “encompass what the club and team represent”.

“We are the paintbrushes and pencils that put it together but the players are the ones that live their lives under a microscope. This is about them and what they want to represent.

“It’s pretty cool to see our tohu holding its own,” he said.

Powerful expression
“I’m humbled to have had the opportunity to work on this project and see it come to life — even more so to do it along side taku tuakana Henare Brooking.

“To have the support of our iwi, hapū and whānau throughout is really special and we thank you all,” he said.

Te Amokura is a powerful expression of the Warriors’ connection, unity and identity. It takes its inspiration from the manu (bird) of the same name, known across the Pacific, Australia and Aotearoa.

The amokura helped the great navigators of the Pacific chart the largest body of water in the world.

It is known for its two distinct red elongated tail feathers which were highly prized by foremost warriors and chiefs throughout Te moana nui a Kiwa.

These are represented by two red strips on the back of the jersey.

The colours represent significant elements of the club’s identity but also the journey over the last three seasons, and the sacrifices made by players and staff to base themselves away from home, their families and their fans.

The collective whakapapa
Blue represents mana moana — the ocean — that connects Aotearoa, Australia and the Pacific, carrying the collective whakapapa.

Green represents mana whenua — the land — Aotearoa acknowledging the Warriors’ true home and importantly Australia’s mana whenua, the Aboriginal whanaunga and the original people of Australia who hosted the team over the last three seasons.

Red represents mana tāngata — the people — connecting players past, present and future, and interweaving the whakapapa of each individual as they move into the field of battle.

The black represents Te Pō — a place of development and learning — while the white is Te Ao — a place of expression and action.

The jersey is like a korowai (cloak) that adorns the wearer, not just as a jersey but as a representation of their own journey.

It is a celebration of the Warriors’ cultural identity and a representation of the connection they share as indigenous people across the world.

This year’s NRL Indigenous Round focused on creating a space for learning and educating Australians about Indigenous culture as well as encouraging the rugby league community to take three key actions to be part of the change — learn the land; learn the history; support an Indigenous business.

Note: Te Amokura is also the Te Reo Māori name of the Pacific Media Centre, which launched this website Asia Pacific Report in 2016. Asia Pacific Report is now published independently in association with Evening Report and Pacific Journalism Review.

Republished with permission by The Gisborne Herald and NZ On Air.

Article by AsiaPacificReport.nz

Artist Dinar Candy has held a protest action over the extension of Indonesia’s Enforcement of Restrictions on Public Activities (PPKM) by wearing a bikini on the side of a road in Jakarta, reports CNN Indonesia.

During the action, Candy also brought a banner with the message, “I’m stressed out because the PPKM has been extended”.

Candy was arrested by police last Wednesday, August 3, about 9.30 pm near Jalan Fatmawati in South Jakarta. She was taken directly to the South Jakarta district police for questioning.

In addition to this, police also confiscated material evidence in the form of a mobile phone belonging to Candy, which is alleged to have been used to record the protest.

And it was not only Candy. Her younger sister and assistant were also questioned by police for recording the protest at Candy’s request.

After being questioned by police, who also sought advice from an expert witness on morality and culture, Candy was then declared a suspect.

“We have declared DC as a suspect for an alleged act of pornography,” South Jakarta district police chief Senior Commissioner Azis Andriansyah told journalists on Thursday.

Candy has been charged under Article 36 of Law Number 44/2008 on Pornography which carries a maximum sentence of 10 years in prison or a fine of 5 billion rupiah (NZ$987,000).

Candy not detained
Despite being declared a suspect, police have not detained Candy who is only obliged to report daily. Andriansyah said that Candy’s protest wearing a bikini did not heed cultural norms.

This is because Candy’s action was held in Indonesia where there are cultural and religious norms which apply in society.

“Anything that is done in Indonesia [is subject to] existing norms, there are ethics, there are cultural norms, there are religious norms which apply in our society, now, the actions of the person concerned did not pay heed to cultural norms,” said Andriansyah.

A number of parties, however, believe that Candy’s bikini protest does not need to be prosecuted under law.

National Commission on Violence Against Women (Komnas Perempuan) Commissioner Theresia Iswarini believes that Candy did not commit a crime even though she wore a bikini during the protest. She suspects that Candy’s protest was related to mental health issues.

“It would indeed be best, it has to be thought about, [although] this [wearing a bikini in public] is indeed inappropriate, but it does not mean she committed a crime, remember,” Iswarini told CNN Indonesia.

The Jakarta Legal Aid Foundation (LBH), meanwhile, is worried that the state is going too far in regulating what people wear in public. LBH Jakarta lawyer Teo Reffelsen is of the view that in the future the state could enforce its own values on what the public wears.

“If so, then eventually our prisons will be full just because people wear bikinis,” Reffelsen said.

Translated by James Balowski for IndoLeft News. The original title of the article was “Protes Bikini Dinar Candy Berujung Jerat UU Pornografi”.

Article by AsiaPacificReport.nz