Source: The Conversation (Au and NZ)
“A moment of reckoning has arrived for the West,” reads a recent recruitment ad for Palantir, a Silicon Valley firm that increasingly provides data-driven “intelligence” for intelligence, police and military agencies – as well as blue-chip corporations and non-profits. “On the factory floor, in the operating room, across the battlefield,” the ad intones, “we build to dominate.”
How do we make sense of this convergence between advanced technologies and unapologetic violence, between “rational” AI and a primordial view of the world that seems to revert to a language of blood and soil, friends and enemies, “us” and “them”? In op-eds, talk shows, and political analyses, a single word has risen to prominence: fascism.
Review: End Times Fascism And the Fight for the Living World by Naomi Klein and Astra Taylor (Penguin); The Nerd Reich: Silicon Valley Fascism and the War on Democracy by Gil Durán (Simon & Schuster).
As a term, “fascism” is highly provocative, but seemingly untimely. It conjures up powerful images of jackbooted throngs of followers repeating chants and salutes, visions of black-lettered and blood-red banners. Yet these images are typically associated with political orders from a century ago in interwar Europe, a dusty relic from a previous age where “evil” was identified and annihilated.
So what is fascism in the present? How can it help explain contemporary technological, social and political dynamics? Two recent books attempt to diagnose these conditions: End Times Fascism And the Fight for the Living World by writer Naomi Klein and filmmaker Astra Taylor, and The Nerd Reich: Silicon Valley Fascism and the War on Democracy by journalist Gil Durán.
End times fascism
For Klein and Taylor, what we see now is not a repetition but an evolution. Fascist ideologies have been injected into a broader apocalyptic vision.
“End times fascism is a fascism embedded in an understanding that something immense is ending, and it responds to this discomfiting truth with unabashed cruelty,” they write.
In this vision, it is taken for granted that our economic, institutional and environmental systems are collapsing. Financial inequality is surging, with unaffordable houses and skyrocketing cost-of-living. Ecologies are crumbling, with earth systems hitting planetary limits. And that’s just a few of these stacked crises.

But an apocalyptic mindset, grounded in fundamentalist religion, stresses that crisis is not to be fixed, but fast tracked. Dysfunction and disorder are necessary to arrive at something more glorious, the labour pains to a great rebirth. Here, apocalyptic religion and political fascism agree: the current world is corrupt and cannot be saved; it must be burned to the ground and remade from scratch – or escaped altogether, for a greater paradise.
For its proponents, the end times are here — and only by embracing and accelerating this winner-takes-all transition will the chosen elite assure they can survive and even thrive.
Klein and Taylor follow this thread across three core sections.
Messianic Dreams traces the birth and rise of the Zionist dream, through to its present vision of genocidal reset in Gaza – where the glorious next stage of one society is built on the ashes of another. The authors explain these moves are not just about “righteous revenge” or “national security”, but have a distinct cosmological goal: to “move us all significantly closer to the prophesied end of times.”
Escape to the Cloud unpacks big tech’s fervent faith in AI superintelligence and the double-edged utopia or dystopia it would usher in. Here, claims of existential risk resulting from “the singularity” – where AI becomes sentient and human/machine norms break down – are essentially self-serving, directing investment and attention to tech development. They prop up the power of the already powerful.
(These claims of existential risk, which have been around for a long time, have been big news recently, with warnings from everyone from the UN High Commissioner for Human Rights to former AI staff and the “Godfather of AI”.)
And Prepper Nation steps through the push to bunker the United States against future threats and deport the alien others who are corrupting its purity. Here, elites ride out the apocalypse by establishing their own tech infrastructures, ethnostates, finance streams, and even their own (literal) bunkers.
For Klein and Taylor, fighting end times fascism starts with fighting its core premise that the world is doomed: a sinking ship beyond saving. They locate hope in embracing “hereness” and “staying”, rather than leaving. Their plea is to embrace our broken reality and engage in the slow, messy work of improving it – rather than abandoning it (and democracy) to a scorched earth authoritarian order.
Zohran Mamdani – the progressive mayor of New York City, who pulled off a remarkable grassroots campaign and embraces the city’s diverse foods, festivals and communities – is held up as a champion of this “here and now” mentality.
End Times Fascism is a thoughtful and engaging read that deftly weaves journalism into a cohesive premise about our current political condition.
The authors deserve particular praise for making careful distinctions between the distorted versions of Judeo–Christianity weaponised by fascist entrepreneurs – a blend of Holy war and culture war fought by the Chosen – and mainstream understandings of doctrine.
Indeed, as the book explains, it was longstanding Christian injunctions to love thy neighbour – including the migrant – that partially motivated Minnesota’s antifascist pushback to ICE deportations. Churches and faith organisations took part in protests, set up community kitchens and offered aid. Far-right fundamentalists, by contrast, cherry-pick the Bible passages they like, while ignoring core injunctions to “act justly, walk humbly, and love mercy” (Micah 6:8): to embrace the stranger, rather than expel them as Other.

Yet if the book represents the best of popular journalism, it also comes with its limitations. Klein and Taylor are resolutely focused on people, places and events, rather than attempting to unpack their ideologies in a more systemic way. The result is that end times fascism becomes linked to the actions of egotistical and powerful men, from politicians to tech titans. US President Donald Trump in particular is the common thread, appearing over and over again throughout.
So when Klein and Taylor suggest, at the end of the book, that end times fascism is not about Trump, and will continue when these men disappear, their claim runs against the book’s premise. Place powerful elites to one side, and end times fascism becomes difficult to envision. What does it look like when it moves off the front page and out of elite hands in everyday contexts?
Nerd Reich
In Nerd Reich, reporter Gil Durán, a longtime San Francisco resident, looks to Silicon Valley. He focuses on how “the world’s richest men are building a new political order.” Durán’s primary antagonist is Peter Thiel (who also appears in End Times Fascism), the billionaire co-founder of PayPal and Palantir: “a man fusing business, politics and religion into one terrifying bundle of power”.

For Durán and others, Thiel is the lynchpin for a new breed of Silicon Valley-driven fascism, whether concretely (through donations) or ideologically (through his books and speeches). Thiel has increasingly moved beyond the tech world to offer political diagnoses and future visions that find sympathetic ears in elite circles.
Where do these ideas come from? Durán suggests they can be traced back to the Sovereign Individual, a 1997 book of future predictions based on the transition to the information age, by former Times (UK) editor William Rees-Mogg and financial advisor James Dale Davidson. Strangely, Durán never really carries out a close reading of this book he regards as an ur-text. Instead, he chooses to highlight some key claims and its general reception.
Durán’s circle of rich fascists ranges from technologists to politicians. It includes well-known figures like Elon Musk, Vice President JD Vance and OpenAI CEO Sam Altman. But it also features lesser-known figures, like cryptocurrency entrepreneur Balaji Srinivasan, who wants Silicon Valley to carry out an “ultimate exit” from the US altogether, and venture capitalist Marc Andreessen, who elevates the acceleration of “techno-capital” and denigrates democracy.
Each of them, in their own way, has leveraged wealth from the finance and tech industry to grab political and social influence and push forward their vision of society and the state.
What exactly is fascist about these individuals and their ideas? For Durán, tech fascism “bundles powerful technologies” like AI, crypto and social media “towards authoritarian goals” that benefit a “small, interconnected group of oligarchs”. They wish to privatise what is public and “eliminate democracy”, he writes.
And yet the book lacks a deeper or more systemic unpacking of tech fascism. What are its core values? How do these technologies actually carry out authoritarian goals? And what might this mean beyond power games in a US bubble?
The closest we get to answers is two breezy paragraphs on page 240. They tell us tech fascism “updates this ideology for the AI age” by controlling “reality through algorithms” and launching the “next generation of killer robot drones”. And it’s all driven by a venture capital system that has “run out of unicorns and must now hunt Antichrists to meet its unquenchable thirst for acceleration”.

Simon & Schuster
The strength and weakness of Nerd Reich, then, rests on its journalistic approach. Drawing on a decade of newsroom experience, Durán weaves in insider knowledge of Silicon Valley.
He provides a play-by-play of San Francisco City Council election manipulation, for instance, where a flood of Big Tech money aimed to flip local politics from progressive to conservative. And he serves it all up with visceral language — like “an image dripping in fascist cosplay” — that leaves no doubt as to how he views these men and their manoeuvrings.
The downside of this approach is that chapters fragment into dozens of “human interest” style vignettes, with only a gossamer-thin thread to connect them.
The reader wades through a whirlwind tour of names, dates and places. Garry Tan, CEO of venture capital incubator Y Combinator. Sam Bankman-Fried and his fraudulent FTX cryptocurrency exchange. Michelle Stephens and her Acts 17 organisation, which hosts events hoping to bridge technology and Christianity. Bryan Johnson, who believes he can live forever via products like his own bespoke “snake oil” elixir. And Curtis Yarvin, the political blogger whose illiberal ideas have found traction in Washington.
In each case, we get titbits without a deeper throughline. How exactly does a long backstory on Yarvin — including his love life and use of psychedelics — shed light on his increasingly influential ideas about remaking the state as a startup? The reader must draw their own conclusions.
Technofascism and everyday people
In both these books, the lens could be described as the Big Man – the powerful politician, swaggering tech founder, or deep-pocketed venture capitalist who can leverage their immense resources to transform their visions into fascistic realities. This cast of strong antagonists lends itself to strong storytelling — concrete people who can be pointed to and called out.
But this focus on unsavoury elites leaves some key questions unanswered. Where did these fascist energies originate? How have they been updated? What are the grievances and desires at the heart of this ideology? And how are these values packaged, narrated and circulated in ways that make them compelling to everyday people?
Today, we are surrounded by platforms, models and algorithms that hold up a vision of reason and rationality. Yet politically, we see a return to myth, bigotry and barbarism. These twin forces are not a paradox but a program. Technofascism leverages advanced technology to bolster authoritarian ideals and regressive values that carve up the world along bloodlines, gender lines and borderlines.
But how do these twin forces prop each other up? What role does the “techno” in technofascism play? I see three core functions.
Technology augments, providing a practical outworking of fascist visions by operationalising difference and domination. Palantir’s data-driven deportation partnership with Immigration and Customs Enforcement (ICE) is a perfect recent example of transforming fascist ideals into a concrete program of platforms, software and servers that can be leased and run.
Secondly, technology alienates. It creates a vacuum of meaning that is filled by powerful mythologies that address grievances and reimpose order on the world. Meta-narratives like the Great Replacement Theory, suggesting non-white immigrants are replacing white populations, translate complex crises into tangible figures. Anti-immigration marches in Australia were a recent troubling example. They transformed a complex set of pressures — from rising costs of living to climate anxieties — into a powerful myth with a single scapegoat: the migrant.
Finally, technology manipulates. It creates environments that leverage desire while cultivating fascist ideologies over time. Manosphere influencers translate misogyny, insecurity and xenophobia into viral packages of content. Ex-radicals describe a pipeline effect where media played a key role in nudging them towards more right-wing stances. Eventually, they arrived at violent, dehumanising visions that can only be described as fascist.
Together, these books shed light on the fascistic energies that increasingly seem to permeate our present moment. This is not a problem for other places and times, but one that confronts us here and now.
As one scholar stressed after three decades of researching authoritarian personalities: “I study normal folks, not Nazis.” Grasping the core logic of this fascist phenomenon is the first step in combating and countering it.
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Luke Munn does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.
Original source: https://analysis1.mil-osi.com/2026/09/16/naomi-kleins-new-book-calls-out-end-times-fascism-what-is-this-and-whats-the-role-of-big-tech/
