Source: The Conversation (Au and NZ) – By Panizza Allmark, Associate Dean of Arts, Associate Professor Media & Cultural Studies, Edith Cowan University
There are certain film roles that can define an actor’s career. Ralph Macchio has starred in over 25 films, yet he is most identifiable as the teenage Danny Larouso in The Karate Kid (1984). Similarly, Alex Winter has had a long career as a director and actor, but is best known as high school student Bill S. Preston, Esquire in Bill and Ted’s Excellent Adventure (1989).
The recent popularity and role reprisals by these actors: Winter in Bill and Ted Face the Music (2020) and Macchio in Cobra Kai (2018–), combined with celebrities reading aloud the scripts of old teen film classics via Zoom suggests nostalgia. It is also an opportunity to revisit and consider the nuances of characters and gender roles with greater maturity and a wiser perspective.
Generation X, born 1965–1980, were in their adolescence when these two films premiered. Both movies present a version of teenage masculinity that was in remarkable contrast to male adult roles in action films of that time. In the 1980s, tough muscular bodies were pictured on screen in films such as Rambo (1982, 1985, 1988), Conan the Barbarian (1982), Bloodsport (1988), and Die Hard (1988).While the young male protagonists in The Karate Kid and Bill and Ted possess purposeful strength, they display a vulnerability, a gentle resilience, a sense of humour with suburban heroism. (Indeed nerd teen archetypes meet tough jocks in detention in 1985’s The Breakfast Club.)
Their hero’s journey is relatable yet undeniably epic. The films depict the story of the underdog, of young males who don’t quite fit into the mould and, significantly, are fine with this.
There is a desire to learn, whether from history, as in Bill and Ted, or from older characters sharing their wisdom, as in The Karate Kid. Accordingly, the phrase “wax on, wax off” became popular shorthand for a stern lesson in patience and skill development.
Now, as the characters return to our screens older and in the 21st century, there are still lessons to be learnt.
Rather than entering a mid-life crisis — popularly depicted with older males seeking renewed vigour in the embrace of young mistresses or new sports cars — these middle-aged characters convey the opportunity to relive, redo and revisit past triumphs.
The role reprise is also an opportunity to transform the tribulations of the past. Indeed, Cobra Kai is more focussed on Macchio’s onscreen karate opponent, Johnny Lawrence, played by William Zabka. Now a “deadbeat dad”, Johnny reboots the Cobra Kai dojo and his sense of purpose.
As adult characters, now husbands and fathers, the midlife narrative can navigate an updated definition of masculinity. They may be comeback dudes, but they are also dads. In both the new Bill and Ted movie and the Cobra Kai series, the characters’ children have the opportunity to actualise the dreams of their fathers.
‘Be excellent’ but it’s also complicated
The 1980s films challenge toxic masculinity. The teen protagonists are undeniably nice, likeable guys who try to do the right thing. Bill and Ted are guided by a moral imperative to “be excellent to each other”.
The famous quote summarises a positive life mantra and shows how good and bad are clearly defined in the original films. The middle aged comeback vehicles show a more mature understanding of the moral complexities of life.
In reprising their roles, the notion that Macchio, Zabka and Winters have aged does not act as a hindrance but a point of identification for Generation X audiences. There is a strong connection to viewers’ own past lives. Seeing the actors again on screen is akin to seeing long lost friends at a high school reunion.
Macchio and Zabka remind us of the high school tensions that are painfully never quite resolved. Seeing Winter with Keanu Reaves’ Ted provides a joyous reminder of the strong bonds of same-sex friendships of our youth. And like a high school reunion there is a lot of reminiscing about the way things were compared to what life is like now.
What about the comeback mothers?
Significantly, there are fewer female role revivals to remind us of the character growth related to womanhood.
Iconic teenage female actors seem more likely to have comebacks in supporting roles as mothers, rather than as the protagonists.
Perhaps the current success of Bill and Ted, and Cobra Kai, could see Molly Ringwald’s iconic role in Sixteen Candles (1984) remade as Fifty-two Candles? Similarly, is time for an update of Legally Blonde (2001) to Legally Grey?
– ref. Cobra Kai, Bill & Ted: comebacks redefine middle-aged masculinity, but where are the women? – https://theconversation.com/cobra-kai-bill-and-ted-comebacks-redefine-middle-aged-masculinity-but-where-are-the-women-147257