The announced closure of Television New Zealand’s last primetime current affairs programme seems to be the final nail in the coffin for New Zealand’s television credibility. Coming a day after the announcement of the closure of Newshub, it shows that Kiwis have the worst television and video media in the Western world.

Let’s compare ourselves with our mates across the ditch. Australia’s ABC TV features a nightly current affairs show called 7.30. The blurb for it reads:

“Sarah Ferguson presents Australia’s premier daily current affairs program, delivering agenda-setting public affairs journalism and interviews that hold the powerful to account. Plus political analysis from Laura Tingle.”

Clearly 7.30 is far more serious than our Seven Sharp with its fluffy stories and advertorials. The ABC also screens six weekly current affairs shows and documentaries this week. Shows like Australian Story, Four Corners and Media Watch.

But Australia has five times as many people as we do so that’s why they can afford it, right?

Ireland has five million people, like NZ, but they still have primetime current affairs. In fact, the Irish enjoy quite a lot of it. The Irish version of TVNZ is RTÉ and features a nightly current affairs show called Nationwide and three weekly current affairs programmes on serious topics.

There are several other human interest factual programmes too, on subjects like history, gardening, dance and more. It’s the same in other countries with similar populations such as Norway, Denmark, Finland and so on.

It’s true that in New Zealand, there’s still the off-peak studio politics programmes like Q+A, and current affairs in te ao Māori are well examined on Whakaata Māori. But what about the rest of NZ?

Some people might say television is dead, and everything is online now. But nearly all online current affairs videos start out as television programmes. The only exceptions are Newsroom’s video investigations with Melanie Reid, and Stuff Circuit which is now disbanded. And for younger audiences there is Re: which TVNZ is also making cuts to.

Death of current affairs TV
The death of New Zealand’s prime-time current affairs television has been a long time coming. At first it was documentaries that dwindled and then disappeared off our screens.

Other genres that are expensive to produce have also become extinct or rarer than a fairy tern — drama, science programmes, kidult, arts programmes, wildlife documentaries, chat shows. Now we can add consumer affairs and prime-time current affairs to the list.

But it doesn’t have to be this way. If other countries can do it, why not NZ?

On Wednesday, the Minister for Media and Communications, Melissa Lee, said “I don’t think I can actually save anything. I’m trying to be who I am, the Minister for Media and Communications.”

This suggests either a lack of understanding of her role or a lack of ambition. She also let slip that there was no way she could save Newshub.

The only substantive solution to come from the minister is her promise to review the Broadcasting Act. But that review process was initiated by the Ministry for Culture and Heritage years ago and started under the Labour government.

Moreover, the Broadcasting Act does little more than lay out the rules for broadcasting complaints, election broadcasting, and establish NZ On Air, the BSA and Te Māngai Pāho.

Minister just tweaking
The minister says she is reviewing the Broadcasting Act to create a “more level playing field” and allow media businesses to “innovate”. That doesn’t sound like it will do much for television and video current affairs, which will take much more than just tweaking how NZ On Air and the BSA work.

Perhaps she intends something much more comprehensive, such as a new funding stream for public media, perhaps through a levy, a compulsory subscription, or even a licence fee.

Despite her protestations, there are several options available to the minister. To save TVNZ’s Fair Go and Sunday, she could provide TVNZ with an interim cash injection (which is actually what governments often do in disasters) until the comprehensive long-term funding is sorted out.

To save Newshub she could promise to remove advertising from TVNZ, or partially on weekends only. This would throw Warner Bros Discovery a lifeline in the form of advertisers looking for a television station to advertise on. She does not have to stand by and watch while our media burns.

Sunday is only with us for a few more weeks. Enjoy it while it lasts.

Myles Thomas is a trustee for Better Public Media Trust. This article was first published by The New Zealand Herald and is republished with the author’s permission.

Article by AsiaPacificReport.nz

Kia ora koutou. Ko Ngāpuhi tōku iwi. Ko Ngāti Manu toku hapu. Ko Karetu tōku marae. Ko Myles Thomas toku ingoa.

I grew up with David Beatson, on the telly. Back in the 1970s, he read the late news which I watched in bed with my parents. Later, David and I worked together to save TVNZ 7 and also regional TV stations.

The Better Public Media (BPM) trust honours David each year with our memorial address, because his fight for non-commercial TV was an honourable one. He wasn’t doing it for himself.

He wasn’t doing it so he could get a job or because it would benefit him. He fought for public media because he knew it was good for Aotearoa NZ.

Like us at Better Public Media, he recognised the benefits to our country from locally produced public media.

David knew, from a long career in media, including as editor of The Listener and as Jim Bolger’s press secretary, that NZ’s media plays an important role in our nation’s culture, social cohesion, and democracy.

NZ culture is very important. NZ culture is so unique and special, yet it has always been at risk of being swamped by content from overseas. The US especially with its crackpot conspiracies, extreme racial tensions, and extreme tensions about everything to be honest.

Local content the antidote
Local content is the antidote to this. It reflects us, it portrays us, it defines New Zealand, and whether we like it or not, it defines us. But it’s important to remember that what we see reflected back to us comes through a filter.

This speech is coming to you through a filter, called Myles Thomas.

Commercial news reflects our world through a filter of sensation and danger to hold our attention. That makes NZ seem more shallow, greedy, fearful and dangerous.

The social media filter makes the world seem more angry, reactive and complaining.
RNZ’s filter is, I don’t know, thoughtful, a bit smug, middle class.

The New Zealand Herald filter makes us think every dairy is being ram-raided every night.

And The Spinoff filter suggests NZ is hip, urban and mildly infatuated with Winston Peters.

These cultural reflections are very important actually because they influence us, how we see NZ and its people.

It is not a commodity
That makes content, cultural content, special. It is not a commodity. It’s not milk powder.

We don’t drink milk and think about flooding in Queenstown, drinking milk doesn’t make us laugh about the Koiwoi accent, we don’t drink milk and identify with a young family living in poverty.

Local content is rich and powerful, and important to our society.

When the government supports the local media production industry it is actually supporting the audiences and our culture. Whether it is Te Mangai Paho, or NZ On Air or the NZ Film Commission, and the screen production rebate, these organisations fund New Zealand’s identity and culture, and success.

Don’t ask Treasury how to fund culture. Accountants don’t understand it, they can’t count it and put it in a spreadsheet, like they can milk solids. Of course they’ll say such subsidies or rebates distort the “market”, that’s the whole point. The market doesn’t work for culture.

Moreover, public funding of films and other content fosters a more stable long-term industry, rather than trashy short-termism that is completely vulnerable to outside pressures, like the US writer’s strike.

We have a celebrated content production industry. Our films, video, audio, games etc. More local content brings stability to this industry, which by the way also brings money into the country and fosters tourism.

We cannot use quota
New Zealand needs more local content.

And what’s more, it needs to be accessible to audiences, on the platforms that they use.

But in NZ we do have one problem. Unlike Australia, we can’t use a quota because our GATT agreement does not include a carve out for local music or media quotas.

In the 1990s when GATT was being negotiated, the Aussies added an exception to their GATT agreement allowing a quota for Aussie cultural content. So they can require radio stations to play a certain amount of local music. Now they’re able to introduce a Netflix quota for up to 20 percent of all revenue generated in Aussie.

We can’t do that. Why? Because back in the 1990s the Bolger government and MFAT decided against putting the same exception into NZ’s GATT agreement.

But there is another way of doing it, if we take a lead from Denmark and many European states. Which I’ll get to in a minute.

The second important benefit of locally produced public media is social cohesion, how society works, the peace and harmony and respect that we show each other in public, depends heavily on the “public sphere”, of which, media is a big part.

Power of media to polarise
Extensive research in Europe and North America shows the power of media to polarise society, which can lead to misunderstanding, mistrust and hatred.

But media can also strengthen social cohesion, particularly for minority communities, and that same research showed that public media, otherwise known as public service media, is widely regarded to be an important contributor to tolerance in society, promoting social cohesion and integrating all communities and generations.

The third benefit is democracy. Very topical at the moment. I’ve already touched on how newsmedia affect our culture. More directly, our newsmedia influences the public dialogue over issues of the day.

It defines that dialogue. It is that dialogue.

So if our newsmedia is shallow and vacuous ignoring policies and focussing on the polls and the horse-race, then politicians who want to be elected, tailor their messages accordingly.

There’s plenty of examples of this such as National’s bootcamp policy, or Labour’s removing GST on food. As policies, neither is effective. But in the simplified 30 seconds of commercial news and headlines, these policies resonate.

Is that a good thing, that policies that are known to fail are nonetheless followed because our newsmedia cater to our base instincts and short attention spans?

Disaster for democracy
In my view, commercial media is actually disaster for democracy. All over the world.

But of course, we can’t control commercial media. No-one’s suggesting that.

The only rational reaction is to provide stronger locally produced public media.

And unfortunately, NZ lacks public media.

Obviously Australia, the UK, Canada have more public media than us, they have more people, they can afford it. But what about countries our size, Ireland? Smaller population, much more public media.

Denmark, Norway, Finland, all with roughly 5 million people, and all have significantly better public media than us. Even after the recent increases from Willie Jackson, NZ still spends just $44 per person on public media. $44 each year.

When we had a licence fee it was $110. Jim Bolger’s government got rid of that and replaced it with funding from general taxation — which means every year the Minister of Finance, working closely with Treasury, decides how much to spend on public media for that year.

This is what I call the curse of annual funding, because it makes funding public media a very political decision.

National, let us be honest, the National Party hates public media, maybe because they get nicer treatment on commercial news. We see this around the world — the Daily Mail, Sky News Australia, Newstalk ZB . . . most commercial media quite openly favours the right.

Systemic bias
This is a systemic bias. Because right-wing newsmedia gets more clicks.

Right-wing politicians are quite happy about that. Why fund public to get in the way? Even if it it benefits our culture, social cohesion, and democracy.

New Zealand is the same, the last National government froze RNZ funding for nine years.

National Party spokesperson on broadcasting Melissa Lee fought against the ANZPM merger, and now she’s fighting the News Bargaining Bill. As minister she could cut RNZ and NZ On Air’s budget.

But it wouldn’t just be cost-cutting. It would actually be political interference in our newsmedia, an attempt to skew the national conversation in favour of the National Party, by favouring commercial media.

So Aotearoa NZ needs two things. More money to be spent on public media, and less control by the politicians. Sustainable funding basically.

The best way to achieve it is a media levy.

Highly targeted tax
For those who don’t know, a levy is a tax that is highly targeted, and we have a lot of them, like the Telecommunications Development Levy (or TDL) which currently gathers $10 million a year from internet service providers like Spark and 2 Degrees to pay for rural broadband.

We’re all paying for better internet for farmers basically. When first introduced by the previous National government it collected $50 million but it’s dropped down a bit lately.

This is one of many levies that we live with and barely notice. Like the levy we pay on our insurance to cover the Earthquake Commission and the Fire and Emergency Levy. There are maritime levies, energy levies to fund EECA and Waka Kotahi, levies on building consents for MBIE, a levy on advertising pays for the ASA, the BSA is funded by a levy.

Lots of levies and they’re very effective.

So who could the media levy, levy?

ISPs like the TDL? Sure, raise the TDL back up to $50 million or perhaps higher, and it only adds a dollar onto everyone’s internet bill. There’s $50 million.

But the real target should be Big Tech, social media and large streaming services. I’m talking about Facebook, Google, Netflix, YouTube and so on. These are the companies that have really profited from the advent of online media, and at the expense of locally produced public media.

Funding content creation
We need a way to get these companies to make, or at least fund, content creation here in Aotearoa. Denmark recently proposed a solution to this problem with an innovative levy of 2 percent on the revenue of streaming services like Netflix, Amazon Prime and Disney.

But that 2 percent rises to 5 percent if the streaming company doesn’t spend at least 5 percent of their revenue on making local Danish content. Denmark joins many other European countries already doing this — Germany, Poland, Spain, Italy, the Netherlands, France and even Romania are all about to levy the streamers to fund local production.

Australia is planning to do so as well.

But that’s just online streaming companies. There’s also social media and search engines which contribute nothing and take almost all the commercial revenue. The Fair Digital News Bargaining Bill will address that to a degree but it’s not open and we won’t know if the amounts are fair.

Another problem is that it’s only for news publishers — not drama or comedy producers, not on-demand video, not documentary makers or podcasters. Social media and search engines frequently feature and put advertising around these forms of content, and hoover up the digital advertising that would otherwise help fund them, so they should also contribute to them.

A Media Levy can best be seen as a levy on those companies that benefit from media on the internet, but don’t contribute to the public benefits of media — culture, social cohesion and democracy. And that’s why the Media Levy can include internet service providers, and large companies that sell digital advertising and subscriptions.

Note, this would target large companies over a certain size and revenue, and exclude smaller platforms, like most levies do.

Separate from annual budget
The huge benefit of a levy is that it is separate from the annual budget, so it’s fiscally neutral, and politicians can’t get their mits on it. It removes the curse of annual funding.

It creates a funding stream derived from the actual commercial media activities which produce the distribution gaps in the first place, for which public media compensates. That’s why the proceeds would go to the non-commercial platform and the funding agencies — Te Mangai Paho, NZ On Air and the Film Commission.

One final point. This wouldn’t conflict with the new Digital Services Tax proposed by the government because that’s a replacement for Income Tax. A Media Levy, like all levies, sits over and above income tax.

So there we go. I’ve mentioned Jim Bolger three times! I’ve also outlined some quite straight-forward methods to fund public media sustainably, and to fund a significant increase in local content production, video, film, audio and journalism.

None of it needs to be within the grasp of Melissa Lee or Willie Jackson, or David Seymour.

All of it can be used to create local content that improves democracy, social cohesion and Kiwi culture.

Myles Thomas is a trustee of the Better Public Media Trust (BPM). He is a former television producer and director who in 2012 established the Save TVNZ 7 campaign. Thomas is now studying law. This commentary was this year’s David Beatson Memorial Address at a public meeting in Grey Lynn last night on broadcast policy for the NZ election 2023.

Article by AsiaPacificReport.nz

David Beatson, broadcaster, editor, journalist, public intellectual and media visionary, proposed a new, or renewed, role for New Zealand public broadcasting in anticipating and managing risk – such as natural disasters and technological crises, says an academic in his public tribute.

Speaking at an inaugural memorial lecture in Ponsonby today celebrating the life of Beatson, Associate Professor Geoff Lealand of Waikato University said that when he died last year New Zealand had “lost a champion for public media and he will continue to be missed”.

The inaugural lecture to a packed Leys Institute library hall was organised by the Better Public Media Trust and preceded a panel debate by Broadcasting and Communications Minister Clare Curran and Radio New Zealand chief executive Paul Thompson about the planned “evolution” of RNZ into RNZ+.

Dr Lealand’s full address:

Tena koto, tena kotu tena toku katoa

I do feel privileged in being asked to deliver this inaugural David Beatson lecture today, and in such auspicious company. It will be a short speech and I will try not to meander (even though my opening remarks may seem a little oblique).

Others have lauded David’s contributions to the intellectual life of New Zealand—and to public media in this country, in particular. My role really is to remind us of his legacy, and how we need to keep steadfast in our advocacy (even though things are looking a little rosier than this time last year).

My first encounter with David was in the mid-1980s when he was the editor of the New Zealand Listener, working out of the Bowen State Building in Wellington (in the days when it was a publication less obsessed with house prices and health scares). I was working in the same building, in the Audience Research Unit of BCNZ; my first job in NZ after returning from studies in the United States and a position at the British Film Institute.

My role was to do qualitative audience research (the kind of research which investigates the motivations and responses to media content). It was also my first illuminating experience with ratings; quantitative measurements which claim to record “presence in a room where a TV set is on”. This experience led to a deep and abiding disbelief in the efficacy of this way of describing audience behaviour.

But that is a topic for another day. The reason why I sought out David was because I had started writing a regular column for the Listener about audience research, mainly working with David’s deputy editor Helen Paske. I wandered down the halls of the building one day, to suggest to David that I could also write an occasional book review, starting with a piece on a monograph by Massey University sociologist Brennon Wood, applying Marxist theory to an analysis of television news.

I still remember the look of complete disbelief on David’s face at the sheer audacity of anyone coupling Karl Marx with the production of television. At this point I realised that our politics didn’t match, for I was more receptive to the idea that news production embodied processes of power, reinforcement of political norms, and implied assent from viewers.

But this did not inhibit friendly conversations when we met again, in the ensuing years. One thing I always liked about David was his willingness to listen to and acknowledge that academics had something useful to add to debates about the role of the media in NZ life (the same cannot be said of some of his contemporaries!).

Generosity and open-mindedness
I am not the only one to know of David’s generosity and open-mindedness. For example, Roger Horrocks, who worked closely with David when they were both on the NZ On Air Board, sent me the following candid comments;

David had a rich life-time experience of broadcasting, which stood in strong contrast to the politicians and politically appointed members of various boards who fiddled around with broadcasting without really knowing what they doing (there were both Labour and National examples). David had a deep understanding of that territory.

He was a man of integrity. In my experience, a person with principles who didn’t play games. Those were not qualities you could take for granted in the fields of politics or broadcasting administration.

He had known NZ broadcasting when it still had a public service spirit, and he remained wonderfully loyal to that. The history of the last 30 years has been the gradual victory of commercialism and populism over public service. David kept the faith, and it mattered so much to him that he never stopped trying—trying to hold back the tide. Whenever I met him in his last years, he would talk of new initiatives, new possibilities. He never stopped campaigning.

Roger declares David as a great defender of the idea of public service at its best. In his own words, he grew up in a world where the communicator’s basic task was defined simply: inform, educate and entertain, ie not to pontificate, declare viewpoint nor share personal prejudices or judgements.

Furthermore, David believed that the core values of the news media should be fairness and equity—because it is in the common interest that public media delivers those important non-commercial values in ways that reflect the needs and interests of the diverse communities that must interact in our society.

Innovative thinker
He was also an innovative thinker. Even in the late months of his life, when he was wheelchair-bound, he was offering challenging and innovative ideas (his iMedia/Public Media Project) for ways of protecting and promoting public media spaces and voices, framed with an acute awareness that technology was bringing enormous changes in media production and delivery, and that things could never be the same again. But it was not a nostalgia for times past, but motivated by the need to preserve the best of media in the new environment, which in David’s words was eating the New Zealand mainstream media’s lunch…dinner…and breakfast.

The last time I heard a public presentation from David was the address he gave to the AGENDA 2020 seminar at Auckland University of Technology last year. He provided an overview of the challenges facing the media (both globally and locally), then revealed one of his new initiatives, new possibilities. He proposed a new (or renewed?) role for New Zealand broadcasting—television in particular—in anticipating and managing risk—most particularly, natural and technological crises, with their potential to disrupt life in both the short term and long term.

I think we have seen sufficient recent examples, both local and global, of the urgency for crisis management. David’s proposals to use very significant spare capacity for advertising-free, New Zealand ‘public goods’ local content, for periods of national or regional states of emergency, interaction, and local content neglected by mainstream broadcasters. I doubt that David had any time for a laissez-faire or a ‘she’ll be right’ attitude to all aspects of NZ life, and this also would have applied to the looming possibilities of disaster.

Coincidentally, I have friends in Helensville who were still waiting for reconnection of electricity a full week after the storms of two weeks ago. David would have pointed to this event as an example of risk realised (the lack of communication between Vector and customers was a recurrent complaint, together with suggestions of degraded infrastructure). This was an event of medium magnitude; we can longer dismiss the possibility of events of greater magnitude.

When David died, we lost a champion for public media and he will continue to be missed. Others will need to step up (and I think that BPM is one) to fill the space; space which too easily gets colonised by self-appointed, no-nothing commentators and simplistic thinkers (you know who I mean).

As Roger comments, many New Zealander’s alive today have grown up in a world of neoliberal thinking and lack any clear understanding of the principles of public service broadcasting. In remembering David, we need also to remember that concept and that tradition!

I roto i te mahara (In loving memory), David.

The inaugural David Beatson Memorial Lecture in Auckland, 22 April 2018, delivered by Associate Professor Geoff Lealand, research associate, Screen and Media Studies, University of Waikato.

Article by AsiaPacificReport.nz