Museums around the world present the story of war in different ways. The Imperial War Museum in London includes military history, the Holocaust, women’s roles in the two world wars, wartime artwork and the political issues of the time.

This museum records both civilian and military experiences, looking at the impact of war on people’s lives. Its Crimes Against Humanity section has a continuous film about genocide and ethnic violence in our time.

The Dutch Resistance Museum in Amsterdam focuses on the Dutch experience during the occupation of the Netherlands by Nazi Germany during World War Two, and features personal stories of those who lived during that period.

National museums in India, Pakistan, and Bangladesh musealise the memory of the 1947 Partition in different, selective ways, with oral history, survivor testimonies, and personal artefacts to document the displacement and trauma of the subcontinent’s division.

How does our own war museum remember war?

Visitors to Auckland’s War Memorial Museum find that the top floor is dedicated to the memory of New Zealand soldiers killed in World Wars One and Two.

The WWI Hall of Memories contains a sanctuary, used for commemoration. In this space are medals and badges of units in which men and women from the Auckland Province served, and British badges that acknowledge those who joined British units.

Roll of honour
In the WWII Hall of Memories, carved into marble is the permanent roll of honour of men and women from the Auckland Province who died in both World Wars, and in Korea, Malaya, Borneo and Vietnam.

The Scars on the Heart exhibition covers New Zealand’s civil wars of the 1840s and 1860s, the Anglo-Boer War, the First and Second World Wars, the Asian wars and New Zealand’s involvement in United Nations peacekeeping missions. Items on display include letters, diaries, photos, clothing and firearms.

There is a recreation of a bivouac shelter at Gallipoli and a Western Front trench from WWI.

This year, the greatest number of active armed conflicts since the end of the Second World War is taking place. The Doomsday Clock was set at 85 seconds to midnight on January 27 — the closest it has ever been to midnight.

Funding for nuclear weapons programmes is increasing and the New START treaty, the nuclear arms reduction treaty between the United States and Russia has expired, with US President Donald Trump having no interest in renewing arms limitation agreements.

Remembering the destructive and tragic consequences of war should be central to the role of museums in their telling of stories about war. However, unfortunately, around the same time as the recent removal of asbestos from the museum, some of these vital stories have been removed.

They include evidence of civilian war trauma installed in the 1990s by then head curator Lieutenant-Colonel Chris Pugsley to show impacts of war on civilians. Another removal has been the 1968 “Letter from a Vietnam Hospital” by the New Zealand surgeon and surgical team leader in Vietnam, Dr Peter Eccles-Smith, and a photo of a woman and a child who were victims of the Nagasaki atomic bomb in 1945.

No record of NZ nuclear protests
There is also no longer any text or photos showing New Zealand’s official protests against French nuclear testing at Moruroa Atoll in the South Pacific.

In addition to the reinstatement of these particular items, a more encompassing telling of stories about war at Auckland Museum than at present could include the portrayal of New Zealand’s resistance to international wars, the work of civilian and army medical personnel, photos of injured soldiers and civilians, photos and placards of anti-war demonstrators, stories of conscientious objectors, portrayals of victims of the atomic bombs in Hiroshima and Nagasaki, and photos and stories about the nuclear-free movement in NZ and the Pacific, including the fateful journey of Greenpeace’s Rainbow Warrior across Oceania into Auckland Harbour.

Auckland Museum’s 2025 plan included “Enabling commemoration opportunities to reflect the community while exploring themes of conflict and peace; and commitment to broadening our commemorative narrative to be inclusive of diverse experiences and events relevant to our communities.”

This year is 30 years since the International Court of Justice declared that the threat or use of nuclear weapons would generally contradict international law. Next year, 2027, will be the 40th anniversary of NZ’s nuclear-free legislation, a fitting time for Auckland Museum to launch an exhibition that could include NZ’s official and civil society opposition to nuclear weapons.

Veteran peace activists hope to forge a constructive working relationship with Auckland Museum to help portray people’s experience of war more fully, and create a peace gallery to tell the story of NZ’s peace history.

Audrey van Ryn is a peace activist and writer. In 2009, she created the Auckland Peace Heritage Walk on behalf of the United Nations Association of NZ. She is currently secretary of Community Groups Feeding the Homeless.

Article by AsiaPacificReport.nz

In a significant step toward preserving and commemorating Fiji’s rich history, efforts are underway to establish the country’s first living museum.

This unique institution will focus on capturing the era of the British colonial government’s indentured system in Fiji, shedding light on the arrival of Fijians of Indian descent to the Pacific Ocean.

The initiative aims to honour the contributions and struggles of the indentured labourers, known as Girmitiyas, who played a pivotal role in shaping Fiji’s economy.

Behind the vision is the Global Girmit Institute, whose board of trustees chair Dr Ganesh Chand told RNZ Pacific the museum had great significance for Fiji.

Dr Chand said that many Fijians were unaware of their country’s history and the way of life under British rule in Fiji, noting that Fiji-Indians were even unaware of their origins — the Girmitiyas.

Fijian-Indians make up about 37 percent of the country’s population.

“For Girmitiyas, there has been a total silence of material in our curriculum all the way up to now,” Dr Chand lamented.

“There is nothing in the texts, and students don’t learn their history.”

He said that if schools fail to teach local history, it could be detrimental to that nation as a whole.

“If they don’t learn in these in schools, then they grow up thinking that their house and day-to-day life is their entirety in the country.

“But that is not a very good state for nation-building. For nation-building, people need to know the history,” Dr Chand said.

The museum aims to rectify this by providing a “comprehensive and immersive experience” that educates visitors about the Girmit era.

The Global Girmit Institute living museum will be co-located within the GGI Library at its headquarters in Saweni, Lautoka, on the country’s main island.

Work has already begun, with the collection of artefacts intensifying in preparation for the anticipated opening of phase one next year.

Travellers who crossed two oceans
The gallery will feature a range of artefacts and recordings of the oral history of people from different linguistic backgrounds and cultures.

Objects relating to farming and the sugar industry, lifestyle, music, food, clothing and religious events will also be displayed, along with objects that record the impact of colonialism on the islands.

Dr Chand said visitors will have the opportunity to witness and understand first hand the living conditions and lifestyle of the Girmitiyas.

“The living museum will feature a fully furnished residence from the era, and our workers will live there and depict how life was in those days under British rule,” he said.

So, how did a group of South Asian people — the Girmitiyas — arrive in the Pacific Ocean?

It was the abolition of slave labour in the early 19th century that gave rise to the Indian indenture system.

This saw an influx of labourers transported from India to various European colonies, including Fiji, to work in plantations.

The system was established to address the labour shortage that followed, explained academic and linguist Dr Farzana Gounder, a direct Girmitiya descendant and a representative of Fiji on the UNESCO International Indentured Labour Route Project.

“The term ‘Girmit’ is derived from the word ‘agreement’ and was used to refer to the system of indentured labour that brought Indians to Fiji between 1879 and 1916,” she said.

“Under this system, Indian labourers were recruited from British India to work on sugar plantations in Fiji, which was then a British colony. During this period, more than 60,000 Indians were brought to Fiji under indenture and became known as Girmitiyas.”

The indenture was seen as an agreement between the workers and the British government, and over the next three decades Girmitiyas were shipped across two oceans to work the lands in Fiji, where a jarring reality awaited them, explained Dr Gounder.

“The Girmitiyas faced many challenges when they arrived in Fiji, including harsh working conditions, cultural and linguistic barriers, and discrimination from both European and indigenous Fijian populations.

“They worked long hours in difficult and often dangerous conditions on the sugar plantations and were paid very low wages.”

The Girmitiyas were instrumental in the development of Fiji’s sugar industry, and this museum aims to tell these stories.

Fiji’s Peace Village to host historical stories
The government of Fiji is also commissioning a living museum in the central province of Navilaca village in Rewa.

Assistant Women’s Minister Sashi Kiran announced that this gallery would pay homage to the relationship between the Girmitiyas and iTaukei people.

“Navilaca village is significant to the history of both the indigenous people and the Indo-Fijians,” she said.

Kiran recounts the heroic efforts of the indigenous people in 1884 who, in the absence of immediate assistance from the colonial authorities, led the rescue operations, saving many lives when a ship named Syria, carrying around 500 Girmitiyas, became wrecked on the Nasilai Reef.

This village thus served as an apt location for the museum, paying homage to the resilience and humanity displayed during that challenging time, she said.

“The village of Navilaca had done the rescue when the Syria was wrecked, and villages there had not only rescued the people but buried the dead in their chiefly ground. They had also looked after all the injured until they healed.

“The fisherfolk had been rescuing people, and the archives also say that there were only about 100 out of almost 500 passengers left by the time the colonials came, so most of the rescue was actually done by the indigenous people.”

The village has since been declared a place of peace with an offer extended to host teaching of each other’s rituals, ceremonies, and customs.

“It will be a space where both cultures can be taught through artefacts and storytelling,” she added.

It will also be open to tourists and the diaspora.

Both living museums promise to be vital cultural institutions, providing a platform to remember and honour Fiji’s history.

This article is republished under a community partnership agreement with RNZ.

Article by AsiaPacificReport.nz