A woman whose great-grandparents — all eight of them — were Girmitiya labourers has put their stories into her debut novel.

The result is Banjara, a novel partly based on what she found, which is told through the eyes of two women more than 100 years apart.

Author, Shana Chandra told RNZ Nine to Noon she knew her grandparents were Girmitiya, but nothing of their origin stories.

“I knew that they were part of this larger geopolitical movement under colonialism, but I didn’t have their personal stories,” she said.

“I didn’t know where they came from in India. I didn’t know what made them vulnerable to coercion. I didn’t even know their names. So really, writing the story was a way for me to write their origin story not only for me, but for them.”

Chandra said the former head of New Zealand’s Girmitiya Foundation told her that Indo-Fijians were prohibited from writing about indenture.

“It felt very important for me to write this origin story, because there was so much silence – I think, because there was so much shame over what happened.

‘Angry about the silence’
“And it was my way of saying to my ancestors, they no longer need to be silenced, and… thank you, in a way, because I used to be quite angry about the silence, but then I realized it was their gift to me, and their gift to all of us — they didn’t want us to be burdened with what they endured.”

Chandra said a lot of research went into the book, but historical records only tell so much.

“When I saw my great-grandmother’s immigration pass, she boarded the Hereford, which is actually the same boat that Avani, my character, boards in the book.

“She was only eight when she boarded, and she boarded the boat with her younger brother, her older sister and her father, and there was actually no record of her mother being on board. So because of the way indentureships were partitioned with men on one side and women and children on the other, I know that those women on board would have helped my great-grandmother and her siblings survive in a myriad of ways.

“One day, I just had this compulsion to wake up and say all of those women’s names because I knew that they would have helped them survive.”

There were shocking discoveries, too. One immigration pass was that of a 15-day-old baby who had died.

“And on the left-hand side, written in cursive writing by a colonial official, was that her mother had suffocated her. And though I know that could be true, there was something about that intuitively that just didn’t sit right in my body.”

Real oral histories
Chandra later came across a post from a site called Cutlass Magazine, featuring real oral histories.

“One about a woman who said that when her grandmother was indentured, the women on board had to hide the children because crew members would find them a nuisance and want to throw them overboard.

“And there was an actual story from an indentured man who kept on repeating the same story, how on his ship that had a particularly rough passage, the captain came, took a newborn baby and fed it to the sea as a sacrifice.

“Even just me writing the names of those women afterwards, just burst into tears… It was important to weave those other stories, those oral histories, into the book to show that other side of history.”

Chandra believes a lot of labourers were duped into signing the labour agreements, and many were promised a “paradisical island full of abundant opportunity”.

“But what they actually faced …was hard labour up to 14 hours a day or over six days a week. And a lot of them were subjected to brutal physical and sexual abuse.

“At one point, Fiji had the highest suicide rate in the world due to indenture.”

The ‘women’s gang’
Chandra said there was “amazing forms of resistance” from the women.

“There’s something known as the women’s gang.

“These women would form these gangs, and they would go to known abusers and use the only thing, only weapons they had, which was their bodies, and retaliate and beat their abusers. So my book really showcases that female solidarity.”

She said it was tough to navigate all the cultural practices and language of the time to be accurate. But what also became important was the “emotional truth”.

“That emotional honesty was almost just as important, because that’s what it’s really trying to capture, but I was lucky. When I was writing this novel, it did feel like something larger was guiding my hand. So I do partly dedicate this novel to my ancestors, who felt like they were conspiring with me from the heavens.

“I think what’s so amazing to me is that, and this is what I hoped the book would do — it would provide an emotional landscape for other Indo-Fijians to rebound off and to start talking about these stories.”

This article is republished under a community partnership agreement with RNZ.

Article by AsiaPacificReport.nz

In a significant step toward preserving and commemorating Fiji’s rich history, efforts are underway to establish the country’s first living museum.

This unique institution will focus on capturing the era of the British colonial government’s indentured system in Fiji, shedding light on the arrival of Fijians of Indian descent to the Pacific Ocean.

The initiative aims to honour the contributions and struggles of the indentured labourers, known as Girmitiyas, who played a pivotal role in shaping Fiji’s economy.

Behind the vision is the Global Girmit Institute, whose board of trustees chair Dr Ganesh Chand told RNZ Pacific the museum had great significance for Fiji.

Dr Chand said that many Fijians were unaware of their country’s history and the way of life under British rule in Fiji, noting that Fiji-Indians were even unaware of their origins — the Girmitiyas.

Fijian-Indians make up about 37 percent of the country’s population.

“For Girmitiyas, there has been a total silence of material in our curriculum all the way up to now,” Dr Chand lamented.

“There is nothing in the texts, and students don’t learn their history.”

He said that if schools fail to teach local history, it could be detrimental to that nation as a whole.

“If they don’t learn in these in schools, then they grow up thinking that their house and day-to-day life is their entirety in the country.

“But that is not a very good state for nation-building. For nation-building, people need to know the history,” Dr Chand said.

The museum aims to rectify this by providing a “comprehensive and immersive experience” that educates visitors about the Girmit era.

The Global Girmit Institute living museum will be co-located within the GGI Library at its headquarters in Saweni, Lautoka, on the country’s main island.

Work has already begun, with the collection of artefacts intensifying in preparation for the anticipated opening of phase one next year.

Travellers who crossed two oceans
The gallery will feature a range of artefacts and recordings of the oral history of people from different linguistic backgrounds and cultures.

Objects relating to farming and the sugar industry, lifestyle, music, food, clothing and religious events will also be displayed, along with objects that record the impact of colonialism on the islands.

Dr Chand said visitors will have the opportunity to witness and understand first hand the living conditions and lifestyle of the Girmitiyas.

“The living museum will feature a fully furnished residence from the era, and our workers will live there and depict how life was in those days under British rule,” he said.

So, how did a group of South Asian people — the Girmitiyas — arrive in the Pacific Ocean?

It was the abolition of slave labour in the early 19th century that gave rise to the Indian indenture system.

This saw an influx of labourers transported from India to various European colonies, including Fiji, to work in plantations.

The system was established to address the labour shortage that followed, explained academic and linguist Dr Farzana Gounder, a direct Girmitiya descendant and a representative of Fiji on the UNESCO International Indentured Labour Route Project.

“The term ‘Girmit’ is derived from the word ‘agreement’ and was used to refer to the system of indentured labour that brought Indians to Fiji between 1879 and 1916,” she said.

“Under this system, Indian labourers were recruited from British India to work on sugar plantations in Fiji, which was then a British colony. During this period, more than 60,000 Indians were brought to Fiji under indenture and became known as Girmitiyas.”

The indenture was seen as an agreement between the workers and the British government, and over the next three decades Girmitiyas were shipped across two oceans to work the lands in Fiji, where a jarring reality awaited them, explained Dr Gounder.

“The Girmitiyas faced many challenges when they arrived in Fiji, including harsh working conditions, cultural and linguistic barriers, and discrimination from both European and indigenous Fijian populations.

“They worked long hours in difficult and often dangerous conditions on the sugar plantations and were paid very low wages.”

The Girmitiyas were instrumental in the development of Fiji’s sugar industry, and this museum aims to tell these stories.

Fiji’s Peace Village to host historical stories
The government of Fiji is also commissioning a living museum in the central province of Navilaca village in Rewa.

Assistant Women’s Minister Sashi Kiran announced that this gallery would pay homage to the relationship between the Girmitiyas and iTaukei people.

“Navilaca village is significant to the history of both the indigenous people and the Indo-Fijians,” she said.

Kiran recounts the heroic efforts of the indigenous people in 1884 who, in the absence of immediate assistance from the colonial authorities, led the rescue operations, saving many lives when a ship named Syria, carrying around 500 Girmitiyas, became wrecked on the Nasilai Reef.

This village thus served as an apt location for the museum, paying homage to the resilience and humanity displayed during that challenging time, she said.

“The village of Navilaca had done the rescue when the Syria was wrecked, and villages there had not only rescued the people but buried the dead in their chiefly ground. They had also looked after all the injured until they healed.

“The fisherfolk had been rescuing people, and the archives also say that there were only about 100 out of almost 500 passengers left by the time the colonials came, so most of the rescue was actually done by the indigenous people.”

The village has since been declared a place of peace with an offer extended to host teaching of each other’s rituals, ceremonies, and customs.

“It will be a space where both cultures can be taught through artefacts and storytelling,” she added.

It will also be open to tourists and the diaspora.

Both living museums promise to be vital cultural institutions, providing a platform to remember and honour Fiji’s history.

This article is republished under a community partnership agreement with RNZ.

Article by AsiaPacificReport.nz