Despite differences in their political systems, all three governments follow an approach that prioritises “national morale” and “operational security” over press freedom and the flow of information.

This approach redefines the concept of fake news and extends its authority to managing public sentiment, making coverage more “positive” and “optimistic”.

The goal is unified: to turn media into a state mouthpiece that tells only the official narrative of the war.

The Trump administration’s political pressure
In the US, media restrictions don’t appear as direct bans on journalism, as in more authoritarian systems. Instead, pressure comes through political and regulatory channels, alongside attempts to shape the war narrative against Iran.

Federal Communications Commission Chairman Brendan Carr warned broadcasters they could lose their licences if they aired what he described as “false news” about the war.

In a post on X on March 14, Carr said stations airing “misleading” information had the opportunity “to correct course” before licence renewal. He added: “The law is clear: broadcast stations must operate in the public interest, or they will lose their licences.”

Later, President Donald Trump said he was extremely pleased to see Carr review licences of “corrupt” and “unpatriotic” news organisations because they “coordinate with Iran” and “should face treason charges”.

Regulatory pressure is accompanied by a political and media campaign to shape a specific image of the war.

Trump attacked major newspapers such as The New York Times and The Wall Street Journal for reports of damage to US military aircraft at a Saudi base, calling them “degenerate journalism” that wanted the country to “lose the war”.

This pressure has also extended to the military.

At a Pentagon press conference, Secretary of War Pete Hegseth accused the media of downplaying the success of the military campaign against Iran, criticised coverage of operations, suggested alternative headlines for television reports, and named CNN specifically, saying its performance would improve if ownership and management changed.

In an incident bordering on the absurd, The Washington Post reported that the Pentagon barred journalists from attending war briefings after Hegseth’s team objected to his appearance in previously taken photos, restricting access to Pentagon photographers.

Nevertheless, pressures did not start with the war on Iran.

In October 2025, the Department of War announced a new policy regulating journalists’ work inside the Pentagon, requiring official approval before publishing any information, even if it was not classified.

The Trump administration justified the restrictions as necessary for national security. Hegseth said access to the Pentagon was “a privilege, not a right,” while Trump argued the limits were needed because the press was “dishonest”.

Measures included removing dedicated offices for some media outlets and replacing them with shared facilities under a new rotation system.

Israel kills three Lebanese journalists                   Video: Al Jazeera

Israel’s approach
In Israel, media restrictions during war take a different form that is based on strict military censorship and obstructing journalists in the field, in addition to targeting media institutions in Iran and Lebanon.

This month, the Israeli military censor issued new instructions to foreign media limiting coverage of rocket attacks within Israel.

These included banning live broadcasts during sirens, forbidding filming missile interceptions or impact sites near security installations, and preventing the publication of exact impact locations or reposting videos from social media without prior approval.

Authorities justified the restrictions as a way to prevent opponents from using media coverage to “improve missile strike accuracy”.

Israeli forces detained CNN Türk reporter Emrah Cakmak and cameraman Khalil Kahraman during a live broadcast from Tel Aviv following an Iranian missile attack, confiscating their phones, camera, and microphone, and accessing a password-protected phone without permission.

The journalists stated that their equipment was not returned.

On the same day, Security Minister Itamar Ben-Gvir and Communications Minister Shlomo Karai announced stricter measures against foreign media violating military censorship instructions, adopting a policy of “zero tolerance”.

Authorities also detained Turkish journalists Ilyas Efe Ünal and Adam Metan while crossing from Egypt into Israel on March 4. Metan said they were interrogated for about six hours before being released.

The following day, Haifa municipal police attempted to remove international media teams covering war-related events, including CNN, Fox News, BBC, Anadolu Agency, and Al Arabiya, despite journalists following military censorship rules.

Days later, on March 8, Israeli police prevented Al Araby TV correspondent Abdelkader Abdel Halim from continuing coverage in Haifa, with an officer captured on video saying that “filming is prohibited in Haifa.”

Israeli strikes also targeted media institutions in Lebanon and Iran, and have killed five journalists in Lebanon in the past month — three of them (including a woman) just yesterday in a targeted assassination.

According to Reporters Without Borders, two-thirds of all journalists killed around the world last year were by Israel, mostly in Gaza.

Several Lebanese media outlets were hit during Israel’s raids, including Sawt Al-Farah radio in Tyre, Al Nour radio, and Al Manar TV in Haret Hreik in Beirut’s southern suburbs. And in a separate strike, Saksakiyah media centre in southern Lebanon was also targeted.

In Iran, strikes hit the state-run Radio Dezful offices in Khuzestan, the headquarters of the Islamic Republic of Iran Broadcasting in Tehran, a communications centre near the building, as well as the Kurdistan Network TV building in Sanandaj, and the reformist newspaper Sazandegi in Tehran.

Iran’s internet shutdown
If the US uses regulatory tools and Israel relies on military censorship and field restrictions, Iran’s model is based on direct control of information flow. Hours after the US-Israeli aggression began, authorities cut the nationwide internet.

Journalists said the outage hampered communication with sources, sending reports and photos, and verifying field information, while a limited number of users, including state media, retained restricted access through a government-controlled “white internet”.

As the war continued, Tehran tightened legal restrictions on media coverage.

The judiciary criminalised filming or covering US or Israeli strikes in Iran, considering the publication of such material as potential “evidence of cooperation with an enemy“.

Confrontations escalated with calls to target opposition media.

The Tabnak website published an article urging the armed forces to target Iran International TV and suggesting taking action against the channel’s offices and the homes of some staff.

Security agencies carried out a series of arrests in several provinces for sending photos and information about strikes to foreign media, including Iran International, classified by Iran as a “terrorist channel”.

Majdoline Al-Shammouri is a writer based in Beirut. This article was translated from Arabic by Afrah Almatwari and was first published by The New Arab here.

Article by AsiaPacificReport.nz

As Meta, TikTok, Instagram and X continue to dominate online social spaces, a new platform called UpScrolled has entered the scene.

It is not built around dances or memes, but instead positions itself as a space promising fewer shadowbans and greater freedom of political expression, particularly for pro-Palestinian voices.

So, what is it exactly, and why are users switching?

UpScrolled was launched in July 2025 by Palestinian-Australian app developer Issam Hijazi.

At first glance, the platform feels familiar. It features an up and down scrolling video feed reminiscent of TikTok, alongside profile pages, comments and direct messaging features similar to Instagram.

The similarities, however, appear to end there. Unlike major platforms where opaque algorithms determine which content is amplified and which is buried, UpScrolled claims to operate differently.

The platform describes itself as a space where “every voice gets equal power”, promising to operate without “shadowbans, algorithmic games, or pay-to-play favouritism”, according to its website.

In an interview with Rest of World, Hijazi said the motivation behind the launch was the overwhelmingly pro-Israel content he saw being promoted on more established platforms following 7 October 2023.

Working for what he described as big tech companies at the time, Hijazi expressed deep frustration.

“I could not take it anymore. I lost family members in Gaza, and I did not want to be complicit. So I was like, I am done with this, I want to feel useful,” he said.

The Tech for Palestine incubator, an advocacy project that funds technology initiatives supporting the Palestinian cause, has publicly backed the platform.

Moderation without the black box
Hijazi said UpScrolled’s content moderation process differs from other social media platforms in that it does not selectively censor particular groups or viewpoints.

Content deemed illegal, such as the sale of narcotics or prostitution, is removed, but when it comes to free speech, the approach is rooted in transparency, ethics and equal treatment.

According to 7amleh, the Arab Centre for the Advancement of Social Media, major tech platforms such as Meta have consistently engaged in a “systemic and disproportionate censorship of Palestinian and pro-Palestinian content”. This includes the removal of posts, restrictions on account visibility and, in some cases, permanent bans.

Throughout the war on Gaza, numerous Palestinian organisations, activists, journalists, media outlets and content creators were targeted over their pro-Palestine views.

Bisan Owda, an award-winning Gaza-based journalist with more than 1.4 million followers on TikTok, is among the most prominent recent examples, whose account was reportedly permanently banned earlier this week — but has now been reinstated after a global outcry.

Critics argue that censorship concerns extend beyond the Palestinian issue, affecting other sensitive topics, including criticism of US government policies such as Immigration and Customs Enforcement (ICE).

High profile commentators critical of the Trump administration have reported what they describe as a systematic effort to remove or suppress their videos and content.

Users flock to UpScrolled
Users frustrated with big tech’s control over online narratives have increasingly turned to the new platform.

UpScrolled has reached number one in the social networking category of Apple’s App Store in both the US and the UK.

As of Tuesday, the app had been downloaded around 400,000 times in the US and 700,000 times globally since its launch. An estimated 85 percent of those downloads occurred after January 21 alone, according to data from marketing intelligence firm Sensor Tower.

The Palestinian-founded app has also seen a surge in downloads following the recent acquisition of TikTok by American billionaire Larry Ellison, a co-founder of Oracle.

Ellison is a prominent supporter of Israel and maintains close ties with Israeli Prime Minister Benjamin Netanyahu. He has also financially backed the Israeli military, including a $16.6 million donation made during a 2017 gala organised by the Friends of the Israeli Forces.

The timing of UpScrolled’s rise has therefore not gone unnoticed. The platform appears to have capitalised on widespread frustration and anger over biased content moderation, offering an alternative built around transparency and user control.

The app remains a work in progress, with users having reported crashes and server overloads amid its rapid growth over the past week.

Still, UpScrolled poses a challenge to dominant platforms and highlights a growing appetite for social media spaces that give users greater control over what they see and share.

Republished from the Middle East News Agency (MENA) and The New Arab.

Article by AsiaPacificReport.nz