In 1979, Sam Neill appeared in an Australian comedy movie about hacks on a Sydney newspaper.

The Journalist was billed as “a saucy, sexy, funny look at a man with a nose for scandal and a weakness for women”.

That would probably not fly these days — but as a rule, movies about Australian journalists are no laughing matter.

Back in 1982, a young Mel Gibson starred as a foreign correspondent who was dropped into Jakarta during revolutionary chaos in The Year of Living Dangerously. The 1967 events the movie depicted were real enough, but Mel Gibson’s correspondent Guy Hamilton was made up for what was essentially a romantic drama.

There was no romance and a lot more real life 25 years later in Balibo, another movie with Australian journalists in harm’s way during Indonesian upheaval.

Anthony La Paglia had won awards for his performance as Roger East, a journalist killed in what was then East Timor — now Timor-Leste — in December 1975. East was killed while investigating the fate of five other journalists — including New Zealander Guy Cunningham — who was killed during the Indonesian invasion two months earlier.

The Correspondent has a happier ending but is still a tough watch — especially for its subject.

Met in London newsrooms
I first met Peter Greste in newsrooms in London about 30 years ago. He had worked for Reuters, CNN, and the BBC — going on to become a BBC correspondent in Afghanistan.

He later reported from Belgrade, Santiago, and then Nairobi, from where he appeared regularly on RNZ’s Nine to Noon as an African news correspondent. Greste later joined the English-language network of the Doha-based Al Jazeera and became a worldwide story himself while filling in as the correspondent in Cairo.

Greste and two Egyptian colleagues, Baher Mohamed and Mohamed Fahmy, were arrested in late 2013 on trumped-up charges of aiding and abetting the Muslim Brotherhood, an organisation labeled “terrorist” by the new Egyptian regime of the time.

Six months later he was sentenced to seven years in jail for “falsifying news” and smearing the reputation of Egypt itself. Mohamed was sentenced to 10 years.

Media organisations launched an international campaign for their freedom with the slogan “Journalism is not a crime”. Peter’s own family became familiar faces in the media while working hard for his release too.

Peter Greste was deported to Australia in February 2015. The deal stated he would serve the rest of his sentence there, but the Australian government did not enforce that. Instead, Greste became a professor of media and journalism, currently at Macquarie University in Sydney.

Movie consultant
Among other things, he has also been a consultant on The Correspondent — now in cinemas around New Zealand — with Richard Roxborough cast as Greste himself.

Greste told The Sydney Morning Herald he had to watch it “through his fingers” at first.

“I eventually came to realise it’s not me that’s up there on the screen. It’s the product of a whole bunch of creatives. And the result is … more like a painting rather than a photograph,” Greste told Mediawatch.

“Over the years I’ve written about it, I’ve spoken about it countless times. I’ve built a career on it. But I wasn’t really anticipating the emotional impact of seeing the craziness of my arrest, the confusion of that period, the claustrophobia of the cell, the sheer frustration of the crazy trial and the really discombobulating moment of my release.

“But there is another very difficult story about what happened to a colleague of mine in Somalia, which I haven’t spoken about publicly. Seeing that on screen was actually pretty gut-wrenching.”

In 2005, his BBC colleague Kate Peyton was shot alongside him on their first day in on assignment in Somalia. She died soon after.

“That was probably the toughest day of my entire life far over and above anything I went through in Egypt. But I am glad that they put it in [The Correspondent]. It underlines … the way in which journalism is under attack. What happened to us in Egypt wasn’t a random, isolated incident — but part of a much longer pattern we’re seeing continue to this day.”

‘Owed his life’
Greste says he “owes his life” to fellow prisoner Alaa Abd El-Fattah — an Egyptian activist who is also in the film.

“There’s a bit of artistic licence in the way it was portrayed but . . .  he is easily one of the most intelligent, astute and charismatic humanitarians I’ve ever come across. He was one of the main pro-democracy activists who was behind the Arab Spring revolution in 2011 — a true democrat.

“He also inspired me to write the letters that we smuggled out of prison that described our arrest not as an attack on … what we’d actually come to represent. And that was press freedom.

“That helped frame the campaign that ultimately got me out. So, for both psychological and political reasons, I feel like I owe him my life.

“There was nothing in our reporting that confirmed the allegations against us. So I started to drag up all sorts of demons from the past. I started thinking maybe this is the universe punishing me for sins of the past. I was obviously digging up that particular moment as one of the most extreme and tragic moments. It took a long time for me to get past it.

“He’d been in prison a lot because of his activism, so he understood the psychology of it. He also understood the politics of it in ways that I could never do as a newcomer.”

“Unfortunately, he is still there. He should have been released on September 29th last year. His mother launched a hunger strike in London . . . so I actually joined her on hunger strike earlier this year to try and add pressure.

“If this movie also draws a bit of attention to his case, then I think that’s an important element.”

Another wrinkle
Another wrinkle in the story was the situation of his two Egyptian Al Jazeera colleagues.

Greste was essentially a stranger to them, having only arrived in Egypt shortly before their arrest.

The film shows Greste clashing with Fahmy, who later sued Al Jazeera. Fahmy felt the international pressure to free Greste was making their situation worse by pushing the Egyptian regime into a corner.

“To call it a confrontation is probably a bit of an understatement. We had some really serious arguments and sometimes they got very, very heated. But I want audiences to really understand Fahmy’s worldview in this film.

“He and I had very different understandings of what was going … and how those differences played out.

“I’ve got a hell of a lot of respect for him. He is like a brother to me. That doesn’t mean we always agreed with each other and doesn’t mean we always got on with each other like any siblings, I suppose.”

His colleagues were eventually released on bail shortly after Greste’s deportation in 2015.

Fahmy renounced his Egyptian citizenship and was later deported to Canada, while Mohamed was released on bail and eventually pardoned.

Retrial — all ‘reconvicted’
“After I was released there was a retrial … and we were all reconvicted. They were finally released and pardoned, but the pardon didn’t extend to me.

“I can’t go back because I’m still a convicted ‘terrorist’ and I still have an outstanding prison sentence to serve, which is a little bit weird. Any country that has an extradition treaty with Egypt is a problem. There are a fairly significant number of those across the Middle East and Africa.”

Greste told Mediawatch his conviction was even flagged in transit in Auckland en route from New York to Sydney. He was told he failed a character test.

“I was able to resolve it. I had some friends in Canberra and were able to sort it out, but I was told in no uncertain terms I’m not allowed into New Zealand without getting a visa because of that criminal record.

“If I’m traveling to any country I have to say … I was convicted on terrorism offences. Generally speaking, I can explain it, but it often takes a lot of bureaucratic process to do that.”

Greste’s first account of his time in jail — The First Casualty — was published in 2017. Most of the book was about media freedom around the world, lamenting that the numbers of journalists jailed and killed increased after his release.

Something that Greste also now ponders a lot in his current job as a professor of media and journalism.

Ten years on from that, it is worse again. The Committee to Protect Journalists (CPJ) says at least 124 journalists and media workers were killed last year, nearly two-thirds of them Palestinians killed by Israel in its war in Gaza.

The book has now been updated and republished as The Correspondent.

This article is republished under a community partnership agreement with RNZ.

Article by AsiaPacificReport.nz

ANALYSIS: By Jee Young Lee of the University of Canberra

Australia risks losing a generation of young journalists, particularly in the regions where they face the closure of news outlets, job insecurity, lower pay and limited career progression.

Ironically, it is regional news providers’ audiences who remain among the most engaged and loyal, demanding reliable, trustworthy news.

Yet it’s exactly the area where those closures, shrinking newsroom budgets and a reliance on traditional print-centric workflows over digital-first strategies are hitting hardest, making it difficult to attract and retain emerging journalists.

And in an industry where women make up a substantial portion of the workforce and of those studying journalism, figures show the number of young females in regional news outlets declined by about a third over 15 years — a much greater decline than experienced by their male colleagues.

Without meaningful and collaborative efforts to invest in young professionals and sustain strong local newsrooms, the future of local journalism could be severely compromised.

Reversing the trend requires investing in new talent, which might be achieved through targeted funding initiatives, newsroom-university collaborations and regional innovation hubs that reduce costs while supporting emerging journalists. It also requires improved working conditions and fostering innovation.

Why it matters
Local journalism is the backbone of Australian news media, playing a crucial role in keeping communities informed and connected.

The Australian News Index shows community and local news outlets made up 88 percent of the 1226 news organisations operating across print, digital, radio and television in 2024.

These community-driven publications and broadcasters play a critical role in covering stories that matter most to Australians, reporting on councils, regional issues and everyday stories that affect people.

Yet local newsrooms face growing challenges in sustaining their workforce and attracting new talent, raising concerns about the future of journalism beyond metropolitan centres.

Fewer opportunities
Australian Bureau of Statistics data shows the proportion of journalists working full-time has steadily declined in both major cities and regional Australia.

In major cities, the proportion of journalists working full-time dropped from 74 percent in 2006 to 67 percent in 2021. In regional areas, the decline was even more pronounced — falling from 72 percent to 62 percent over the same period.

This widening gap suggests that regional journalists are increasingly shifting to part-time or freelance work, largely due to economic pressures on local news organisations.

Newspaper and periodical editors are more likely to work full-time in major cities (68 percent) compared with regional areas (59 percent). Similarly, a smaller proportion of print journalists are fulltime in regional areas.

In contrast, broadcast journalism maintains a more stable employment in regional areas.

Television and radio journalists in regional Australia are slightly more likely to work fulltime than their counterparts in major cities.

The pay gap
Regional journalists earn less than their metropolitan counterparts. The Australian Bureau of Statistics shows median weekly pay for full-time journalists in major cities is $1737 compared to $1412 for their regional counterparts.

The disparity is slightly greater for parttime regional journalists.

Lower salaries, combined with fewer full-time opportunities, make it difficult for regional outlets to attract and retain talent.

Fewer young journalists
Aspiring to become (and stay) a journalist is increasingly difficult, with many facing unstable job prospects, low pay and limited full-time opportunities.

This is particularly true for young journalists, who are forced to navigate freelance work, short-term contracts or leave the profession altogether.

The number of journalists aged 18 to 24 has steadily decreased, falling by almost a third from 1425 in 2006 to 990 in 2021. The decline is even steeper in regional areas, falling from 518 in 2006 to just 300 in 2021.

Young journalists are also less likely to have a fulltime job. In 2006, 92 percent of journalists aged 18 to 24 held a fulltime job but this had fallen to 85 percent in 2021, although they are significantly more likely to be employed fulltime compared to those in major cities.

This demonstrates that regional newsrooms can offer greater job security temporarily but the overall decline in young journalists entering the profession — particularly in regional areas — signals a need for targeted recruitment strategies, financial incentives and training programmes to sustain local journalism.

Data also reveals an overall decline in journalism graduates entering the news industry. The number of journalists aged 20 to 29 with journalism qualifications has dropped significantly, from 1618 in 2011 to 1255 in 2021.

This decline is marginally more pronounced in regional journalism, where the number of young, qualified journalists fell from 486 in 2006 to 367 in 2021.

Loss of opportunity for women
In Australia, women make up a significant portion of the journalism workforce, likely reflecting the growth in young women studying journalism at universities.

Yet the decline in young female qualified journalists, particularly in regional areas, further highlights the challenges faced by the regional news industry.

The number of female journalists aged 20 to 29 with journalism qualifications fell by 29 percent to 803 between 2006 and 2021, while the number of male journalists in the same age group declined by just 8 percent.

The decline of young female journalists was an even more dramatic 33 percent in regional areas falling from 354 in 2006 to 236 in 2021, while the number of male journalists in regional areas increased slightly in the same period, from 132 in 2006 to 137 in 2021.

Time for a reset
There is a need to rethink how journalism education prepares students for the workforce.

Some researchers argue that journalism students should be taught to better understand the evolving news landscape and its labour dynamics, ensuring they are prepared for the realities of the profession.

This practical approach, integrating training on labour rights and the economic realities of journalism into the curriculum, offers critical insights into the future of local journalism.

Pursuing a degree in arts, including journalism or media studies, is now among the most expensive in Australia. Many young and talented students still pursue journalism, even in the face of industry instability.

However, if the industry continues to signal to young talent that journalism offers little job security, low pay, and limited career progression — particularly in the regions — it risks losing a generation of passionate and skilled journalists.

Investing in new talent, improving working conditions and fostering innovation is critical for the industry to build resilience and strengthen community news coverage.

Dr Jee Young Lee is a senior lecturer in the Faculty of Arts and Design at the University of Canberra. Her research focuses on the social and cultural impacts of digital communication and technologies in the media and creative industries. Originally published under Creative Commons by 360info™.

Article by AsiaPacificReport.nz